Nora Bayes - Early Life and Career

Early Life and Career

Born Eleanor "Dora" Goldberg, with Dora being a pet or nickname, to a Jewish family in Joliet, Illinois, Bayes was performing professionally in vaudeville in Chicago by age 18. She toured from San Francisco, California to New York City and became a star both on the vaudeville circuit and the Broadway stage.

In 1908, she married singer-songwriter Jack Norworth. The two toured together and were credited for collaborating on a number of compositions, including the immensely popular "Shine On, Harvest Moon," which the pair debuted in Florenz Ziegfeld's Follies of 1908. Bayes and Norworth divorced in 1913.

After America entered World War I Bayes became involved with morale boosting activities. George M. Cohan asked that she be the first to record a performance of his patriotic song Over There. Her recording was released in 1917 and became an international hit. She also performed shows for the soldiers.

Bayes made many phonograph records (some with Norworth) for the Victor and Columbia labels. From 1924 through 1928, her accompanist was pianist Louis Alter, who later composed the popular songs "Manhattan Serenade," "Nina Never Knew" and "Do You Know What It Means to Miss New Orleans?".

Bayes established her own theater, "The Nora Bayes Theater" on West 44th Street in New York. She was portrayed by Ann Sheridan in the 1944 musical biopic Shine On, Harvest Moon, which focused on her relationship with Norworth, played by Dennis Morgan, and ignored her other husbands.

Read more about this topic:  Nora Bayes

Famous quotes containing the words early, life and/or career:

    I looked at my daughters, and my boyhood picture, and appreciated the gift of parenthood, at that moment, more than any other gift I have ever been given. For what person, except one’s own children, would want so deeply and sincerely to have shared your childhood? Who else would think your insignificant and petty life so precious in the living, so rich in its expressiveness, that it would be worth partaking of what you were, to understand what you are?
    —Gerald Early (20th century)

    In different hours, a man represents each of several of his ancestors, as if there were seven or eight of us rolled up in each man’s skin,—seven or eight ancestors at least, and they constitute the variety of notes for that new piece of music which his life is.
    Ralph Waldo Emerson (1803–1882)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)