Biography
Katagami was born in Ehime, Japan, and graduated Waseda University in 1906, majoring English literature. He supported naturalism as an editor of a journal Waseda bungaku.
He assumed the professor at Waseda University in 1910, but later he became interested in Russian literature and traveled to Russia to study Russian literature (1915-1918).
In 1920, when Waseda University created a department of Russian literature, Katagami was appointed as the chief professor. Masuji Ibuse, who was one of his students at that time, was harassed sexually ( homosexually ) by Katagami, so had to leave the university before graduation (1921).
Katagami's literature theory became the basis of proletarian literature in Japan.
|
| Persondata | |
|---|---|
| Name | Katagami, Noburu |
| Alternative names | |
| Short description | |
| Date of birth | February 20, 1884 |
| Place of birth | |
| Date of death | March 5, 1928 |
| Place of death | |
| This article about a Japanese writer, poet, or screenwriter is a stub. You can help Wikipedia by expanding it. |
Read more about this topic: Noburu Katagami
Famous quotes containing the word biography:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
—Rebecca West [Cicily Isabel Fairfield] (1892–1983)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)