Sound
No. 1 in Heaven had a dramatically different sound to that of Sparks' previous seven albums. The group dropped the standard guitar, bass and piano from its musical palette. The new sound was dominated by layers sequencers and synthesizers which built upon the drums and percussion of Keith Forsey. Russell Mael's voice which employed his distinctive falsetto was overlaid in a number of overdubs and complemented by backing vocalists. Musically, the sound of the album matched that of "I Feel Love" and that of Moroder's solo work. Aside from Ron Mael's lyrics and Russell's vocals, the sound of songs like "Tryouts for the Human Race" and "La Dolce Vita" continued in the vein of Donna Summer's music. A sound that began in 1977 with "I Feel Love", was continued on Once Upon a Time ("Now I Need You", "Working the Midnight Shift", "Queen for a Day") and appeared again on 1979s Bad Girls in songs like "Sunset People".
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Famous quotes containing the word sound:
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)
“For sounds in winter nights, and often in winter days, I heard the forlorn but melodious note of a hooting owl indefinitely far; such a sound as the frozen earth would yield if struck with a suitable plectrum, the very lingua vernacula of Walden Wood, and quite familiar to me at last, though I never saw the bird while it was making it.”
—Henry David Thoreau (1817–1862)
“A person is far more likely to appear to have sound character because he persistently follows his temperament than because he persistently follows his principles.”
—Friedrich Nietzsche (1844–1900)