Poetry
Nekrasov's earlier works from the 1850s, such as his first big poem Саша (Sasha), deal with the challenges of Russian life, describing intellectuals and their never-ending conflicts with reality. His works of the 1860s, such as folk poems and poems for children, are among his best written works, such as Коробейники, Крестьянские дети (also translated as "Peasant children") and Мороз Красный Нос (also translated as "Grandfather Frost-the Red Nose" - a Russian version of Santa Claus).
Some of his deeper and philosophical poems are written in the style of confession, such as Рыцарь на час (also translated as "A Knight for an Hour"), as well as Влас (Vlas) and Когда из мрака заблуждения я душу падшую воззвал (also translated as "When from the darkness of my delusions, I called my soul").
Among his other important works are his later poems: Русские женщины ("Russian women"), written in 1871-1872, Кому на Руси жить хорошо? (Who is Happy in Russia?) (1863-1876). "Russian women" tells the true story of two princesses, Ekaterina Trubetskaya and Maria Volkonskaya, who followed their husbands, participants in the failed Decembrist revolt of 1825, to exile in Siberia.
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Famous quotes containing the word poetry:
“Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.... Of all things of thought, poetry is the closest to thought, and a poem is less a thing than any other work of art ...”
—Hannah Arendt (1906–1975)
“There is all the poetry in the world in a name. It is a poem which the mass of men hear and read. What is poetry in the common sense, but a hearing of such jingling names? I want nothing better than a good word. The name of a thing may easily be more than the thing itself to me.”
—Henry David Thoreau (1817–1862)
“The author’s conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (1885–1972)