Nikolai Korndorf - Principal Works

Principal Works

  • Concerto for viola and string orchestra (1970)
  • Sonata for viola solo (1970)
  • Feast in the Time of Plague one act opera after Alexander Pushkin (1972)
  • Symphony No 1 for full symphony orchestra (1975)
  • Confessiones for 14 players and tape (1979)
  • Symphony No 2 for full symphony orchestra (1980)
  • Movements for percussion ensemble (1981)
  • Primitive music for twelve saxophones (1981)
  • Yarilo for piano and tape (1981)
  • Yes!!, ritual for three singers, chamber ensemble and tape (1982)
  • Singing for mezzo-soprano and tape (1982)
  • Tristful Songs for chamber choir and percussion (1 player) (1983)
  • Con Sordino for 16 string instruments and harpsichord (1984)
  • Lullaby for two pianos (1984)
  • Brass-quintet for two trumpets, horn, trombone and tuba (1985)
  • Concerto capriccioso for violoncello solo, string orchestra and percussion (1986)
  • Amoroso for 11 players (1986)
  • The Dance in Metal in Honour of John Cage for one percussion player (1986)
  • In Honour of Alfred Schnittke (AGSCH), string trio for violin, viola and violoncello (1986)
  • Hymn I Sempre Tutti for full symphony orchestra (1987)
  • Hymn II for full symphony orchestra (1987)
  • MR (Marina and Rainer), chamber opera in one act after J. Lourié (1989)
  • Symphony No 3 for full symphony orchestra, boy's choir, men's choir, piano solo and narrator (1989)
  • Hymn III In Honour of Gustav Mahler for full symphony orchestra and soprano (1990)
  • Mozart-Variations for string sextet (1990)
  • Continuum for organ and tape (bells, gongs and tam-tams) (1991)
  • The Magic Gift of Segnoro Luigi for percussion ensemble (1991)
  • Prologue for full symphony orchestra (1992)
  • Let the Earth Bring Forth for chamber ensemble (1992)
  • String Quartet for two violins, viola and violoncello (1992)
  • ...Si Muove!, play for instrumental ensemble, actors and dancers (1993)
  • Epilogue for full symphony orchestra (1993)
  • Victor (The Victor) for full symphony orchestra (1995)
  • Welcome! for female choir and instruments played by singers themselves (1995)
  • Get out!!! for any four or more instruments (1995)
  • Welcome!, version for six female voices and instruments played by singers themselves (1995)
  • Are You Ready, Brother?, trio for piano, violin, and violoncello (1996)
  • Symphony No. 4 Underground music for full symphony orchestra (1996)
  • Music for Owen Underhill and His Magnificent Eight for chamber ensemble (1997)
  • Passacaglia for solo cello (1997)
  • The smile of Maud Lewis for small symphony orchestra (1998)
  • Canzone triste for harp (1998)
  • Musica Nominis Expers for full symphony orchestra (1998)
  • In D for full symphony orchestra (1998)
  • Lament, Response and Glorification for cello and piano (1998–1999)
  • A Letter to V. Martynov and G. Pelecis for piano (1999)
  • Echo for mixed choir and ensemble (1999)
  • Merry Music for Very Nice People for violin, cello, clarinet, piano and percussion (2000)

Read more about this topic:  Nikolai Korndorf

Famous quotes containing the words principal and/or works:

    “The principal rule of art is to please and to move. All the other rules were created to achieve this first one.”
    —Jean Racine (1639–1699)

    “For thou hast made him a little lower than the angels, and hast
    crowned him with glory and honor.
    Thou madest him to have dominion over the works of thy hands;”
    —Bible: Hebrew Psalm VIII (l. VIII, 5–6)