Nightmares On Wax - A Change in Direction

A Change in Direction

After A Word of Science, Nightmares disappeared from the music scene for a four-year hiatus as promised in the sub title "The First and Final Chapter." Evelyn went on to run The Headz Club in Leeds. At this time, he also developed their record label, Poverty Records. He returned to the artistic side of the music industry with a track on the Mo' Wax Headz compilation. The next Nightmares on Wax album release was Smokers Delight in 1995, by which time Harper had left to pursue a career in DJing. Evelyn was joined on keyboards and programming by Robin Taylor-Firth with whom he began to record more of his trademark chill-out tracks. He brought in a variety of musicians, writers, vocalists, and rappers, giving the music a greater variety as well as allowing him to take the band out on tour. This album was also a breakthrough into the American market. Carboot Soul was the first album to be domestically distributed through US label, Matador Records. The album featured underground soul singer Sara Winton, Hamlet Luton on Bass, Chris Dawkins on guitar, and Robin Taylor-Firth on keyboards with the Pure Strings Orchestra harmonizing on strings. EASE is credited for his role in the mixing of the music as well as producer along with Glyn Poole. Bruce Wood is credited as the engineer of the album. These musicians became known as the band called Nightmares on Wax and defined their live sound on their 1999 tour.

This was a change for NoW, as they began as a DJ based group. Their new found contribution of live musicians allowed for a the group to operate more like a band than a studio act. The drum machine however, was not replaced with a live musician, remaining true to its original technology based tracks. No longer in partnership with Kevin Harper, Evelyn had the opportunity to expand and better what he and Kevin Harper started. He explains that “Doing the live side proves there is more to the music. People have something more tangible to relate the music to and it gives us the chance to connect with the audience. Also I’ve always had this idea of creating a big band – which is what we call our sound. The main priority for NoW is to prove that we can perform music. But we’re not ignoring the fact that we come from a studio, technical background. We just want to mix the old with the new. That’s why, at the moment, I don’t have a live drummer. The sound of the beats is what makes Nightmares.”