Production
In Creating a Classic: The Making of Nicholas Nickleby, a bonus feature on the film's DVD release, screenwriter/director Douglas McGrath and his cast and crew discuss the development of the project. The positive audience reaction to a stage reading of the screenplay in a theater in lower Manhattan, which included a number of actors who eventually were cast in the film, convinced McGrath to proceed with the movie. At the request of production designer Eve Stewart, he advanced the time frame from the 1830s to the 1850s so she could incorporate elements of the Industrial Revolution into her design plans.
Jamie Bell's audition for the role of Smike in a London hotel room left McGrath and the producers in tears, and they cast him on the spot. While considering Mrs. Crummles, a smug, opinionated, but lovable dowager, McGrath realized all her traits and characteristics were embodied by Dame Edna Everage, alter ego of actor Barry Humphries, but was hesitant to suggest casting a male in the role. The producers, however, agreed Humphries was an ideal choice. Nicholas was one of the last roles to be cast. Charlie Hunnam had been sent the script, but several months passed before he had an opportunity to read it. He met with McGrath, and based on a couple of hours of conversation with the actor, the director felt he finally had found the right man for the part. Ironically, the British Hunnam had to work with a dialect coach; having lived and worked in the US for the past several years, he had perfected an American accent in order to ensure regular employment.
Costume designer Ruth Myers opted to dress two of the leading characters in clothing pre-dating the period in which the film is set in order to suggest Nicholas, as the newly anointed head of his family, wore clothing inherited from his father, and the impoverished Madeline's dresses were hand-me-downs from her mother in Borehamwood and Three Mills Studios in the East End of London.
Read more about this topic: Nicholas Nickleby (2002 Film)
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (18721933)
“The production of too many useful things results in too many useless people.”
—Karl Marx (18181883)