Nguyen Tuan - Works

Works

  • Ngọn đèn dầu lạc (1939) (The Peanut-Oil Lamplight)
  • Vang bóng một thời (1940) (Once upon an old time)
  • Chiếc lư đồng mắt cua (1941) (The Crab-Eyed Copper Censor)
  • Tàn đèn dầu lạc (1941) (The Peanut-Oil Lamplight Part II)
  • Một chuyến đi (1941) (A trip)
  • Tùy bút (1941) (Stories)
  • Tóc chị Hoài (1943) (Miss Hoài's Hair)
  • Tùy bút II (1943) (Stories II)
  • Nguyễn (1945) (Nguyễn)
  • Chùa Đàn (1946) (Đàn Pagoda)
  • Đường vui (1949) (Happy Road)
  • Tình chiến dịch (1950) (Love at the Operations)
  • Thắng càn (1953) (Over-victory)
  • Chú Giao làng Seo (1953) (Uncle Giao from Village Seo)
  • Đi thăm Trung Hoa (1955) (Visiting China)
  • Tùy bút kháng chiến (1955) (Wartime Stories)
  • Tùy bút kháng chiến và hòa bình (1956) (War and Peace Stories)
  • Truyện một cái thuyền đất (1958) (Story of A Dirt Boat)
  • Sông Đà (1960) (Đà River)
  • Hà Nội ta đánh Mỹ giỏi (1972) (We Hanoian Fight the American Well)
  • Ký (1976) (Diary)
  • Tuyển tập Nguyễn Tuân (tập I: 1981, tập II: 1982) (Collection of Nguyễn Tuân, part I and II)
  • Yêu ngôn (2000) (Love words, published after death)

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Famous quotes containing the word works:

    “The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
    —Herman Melville (1819–1891)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)

    “The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.”
    —G.C. (Georg Christoph)