Nguyen Tuan - Works

Works

  • Ngọn đèn dầu lạc (1939) (The Peanut-Oil Lamplight)
  • Vang bóng một thời (1940) (Once upon an old time)
  • Chiếc lư đồng mắt cua (1941) (The Crab-Eyed Copper Censor)
  • Tàn đèn dầu lạc (1941) (The Peanut-Oil Lamplight Part II)
  • Một chuyến đi (1941) (A trip)
  • Tùy bút (1941) (Stories)
  • Tóc chị Hoài (1943) (Miss Hoài's Hair)
  • Tùy bút II (1943) (Stories II)
  • Nguyễn (1945) (Nguyễn)
  • Chùa Đàn (1946) (Đàn Pagoda)
  • Đường vui (1949) (Happy Road)
  • Tình chiến dịch (1950) (Love at the Operations)
  • Thắng càn (1953) (Over-victory)
  • Chú Giao làng Seo (1953) (Uncle Giao from Village Seo)
  • Đi thăm Trung Hoa (1955) (Visiting China)
  • Tùy bút kháng chiến (1955) (Wartime Stories)
  • Tùy bút kháng chiến và hòa bình (1956) (War and Peace Stories)
  • Truyện một cái thuyền đất (1958) (Story of A Dirt Boat)
  • Sông Đà (1960) (Đà River)
  • Hà Nội ta đánh Mỹ giỏi (1972) (We Hanoian Fight the American Well)
  • Ký (1976) (Diary)
  • Tuyển tập Nguyễn Tuân (tập I: 1981, tập II: 1982) (Collection of Nguyễn Tuân, part I and II)
  • Yêu ngôn (2000) (Love words, published after death)

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Famous quotes containing the word works:

    “I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
    From the earth-poles to the line, All between that works or grows,
    Every thing is kin of mine.”
    —Ralph Waldo Emerson (1803–1882)

    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
    —bell hooks (b. 1955)

    “A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
    —Vladimir Nabokov (1899–1977)