Works
- Tuyn Lua for chamber ensemble, Festival de Royan 1969.
- Koskom for large orchestra, Radio France 1971
- Ba Me Vietnam, for contrabass and twenty instruments, Festival de La Rochelle, 1972
- Mỵ Châu Trọng Thuỷ Opera in Vietnamese - premiere at the Opéra de Paris (Salle Favart), 1979.
- Concerto pour piano et orchestre, Rencontres de Metz, 1984
- Symphonie pour pouvoir with Orchestre National de France at the Théâtre des Champs Elysées, 1989
- Concerto 1789 (pour sextuor à cordes et orchestre), with the Orchestre National de Lille at the Palais des Congrès of Lille.
- Les enfants d’Izieu opéra-oratorio Festival d’Avignon 1994
- Hoa Tâu Hanoi Opera 1995
- Khai Nhac Hanoi Opera 1997
- Giao-Hoa Sinfonia, Salle Olivier Messiaen Radio France 1998
- Sóng hồn ("Married") opera. Premiere Hanoi Opera House in Vietnam. 2000
- Arco Vivo for violoncello solo 2000
- Kosmofonia pour grand orchestre et chœur Forbach 2001
- Sóng nhất nguyên (Monastic Wave) 2002
- Sóng nhạc Trương Chi (The Wave of Music) Opéra de Hanoî 2003
- Quatre Lyriques de ciel et de terre, opéra de chambre Paris 2004
- Suoi Lung May, 1er Festival de Musique International Hué 2006.
- Khoi Thap, Hanoi Opera 2007
- So Day, Hanoi Opera 2007
- Duo Vivo, hommage à Olivier Messiaen, Théâtre des Bouffes du Nord 2008,
- Định mệnh bất chợt Oratorio – "Thanh xướng kịch KIỀU của Nguyễn Thiện Đạo" 2012
Read more about this topic: Nguyen-Thien Dao
Famous quotes containing the word works:
“The appetite of workers works for them; their hunger urges them on.”
—Bible: Hebrew, Proverbs 16:26.
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed.”
—Emma Goldman (1869–1940)