New Confucianism - History

History

The first generation of New Confucians (1921–1949) came about as a response to the May Fourth movement and its iconoclastic stance against Confucianism. Confucianism was attacked as unscientific and contrary to the progress of a modern China. One notable figure during this time was Xiong Shili, who studied Buddhism in depth in his youth but later sought for a reformation of the Confucian philosophical framework. Borrowing from the school of Wang Yangming, Xiong developed a metaphysical system for the New Confucian movement and believed Chinese learning was superior to Western learning. Another figure, Feng Youlan, following the Neo-Confucian school of Zhu Xi, sought a revival of Chinese philosophy based on modern Western philosophy.

With the start of the communist regime in China in 1949, many of the leading intellectuals left the mainland to Taiwan, Hong Kong, and the United States. Notable figures of this second generation (1950–1979) include individuals like Tang Junyi, Mou Zongsan, and Xu Fuguan, all three students of Xiong Shili. Mou Zongsan, in particular, was well-versed in the ancient Chinese philosophical traditions and argued that Kant was, in many ways, a Western Confucius. These three, together with Zhang Junmai, issued in 1958 the New Confucian Manifesto consolidating their beliefs and drawing attention to their philosophical movement.

In the last few decades, the most vocal representatives of the New Confucian movement have been the students of Mou Zongsan. Perhaps one of the most prominent, Tu Wei-ming, has promoted the idea that Confucianism saw three epochs: the classical pre-Han Confucianism, Song-Ming Neo-Confucianism, and New Confucianism. This third generation has been instrumental in grounding Confucianism in non-Asian contexts, as can be seen through Boston Confucianism and other Western Confucians like Wm. Theodore de Bary.

Read more about this topic:  New Confucianism

Famous quotes containing the word history:

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    There is no history of how bad became better.
    Henry David Thoreau (1817–1862)

    They are a sort of post-house,where the Fates
    Change horses, making history change its tune,
    Then spur away o’er empires and o’er states,
    Leaving at last not much besides chronology,
    Excepting the post-obits of theology.
    George Gordon Noel Byron (1788–1824)