Nellee Hooper - Biography

Biography

Hooper began his career as a DJ and as a member of the Wild Bunch, the Bristol-based group that would turn into Massive Attack.

Between 1989 and 1992 he produced the debut albums for Soul II Soul (Club Classics Vol. I), Massive Attack (Blue Lines) and Björk (Debut), which in 1995 Mixmag magazine ranked the 31st, 1st and 3rd best dance albums of all time.

The 1995 BRIT Awards honored Hooper as Best Producer for his work on Massive Attack's Protection, Björk's Post and Madonna's Bedtime Stories albums.

In 1998 he won a BAFTA Award (Anthony Asquith Award for Film Music) for his work arranging the score and soundtrack for Baz Luhrmann's Romeo + Juliet.

In the late 1990s Hooper set up the Meanwhile imprint, which is a subsidiary of Virgin Records.

Hooper continued to work steadily into the 2000s. He received a Grammy nomination in 2003 for his work on No Doubt's Rock Steady and Lamya's Learning From Falling albums. His other work has included producing the singles "GoldenEye" (1995) for Tina Turner, "Under the Bridge" (1998) for All Saints and "Down Boy" (2002) for Holly Valance, as well as providing remixes for artists like Janet Jackson and Sade.

Most recently he has worked with Gwen Stefani on her solo albums and on U2's 2004 release How to Dismantle an Atomic Bomb, for which he won a Grammy Award. He also produced the debut solo album of Andrea Corr of The Corrs, entitled Ten Feet High which was released on June 25, 2007.

Hooper produced the full-length debut album for Disney actress/singer Emily Osment, Fight Or Flight in 2010.

Read more about this topic:  Nellee Hooper

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)