In Film and Television
- In the 1911 film, Sweet Nell of Old Drury (based on the play of the same name described above), Nell is portrayed by Nellie Stewart
- In the 1915 film, Mistress Nell, Nell is portrayed by Mary Pickford
- In the 1922 film, The Glorious Adventure, Nell is portrayed by Lois Sturt
- In the 1926 film, Nell Gwyn, Nell is portrayed by Dorothy Gish
- In the 1934 film, Love, Life and Laughter, Nell is portrayed by Gracie Fields
- In the 1934 film, Nell Gwynn, Nell is portrayed by Anna Neagle
- In the 1941 film, Hudson's Bay, Nell is portrayed by Virginia Field
- In the 1949 film, Cardboard Cavalier, Nell is portrayed by Margaret Lockwood
- In the 1954 film, Lilacs In The Spring, Nell is portrayed by Anna Neagle
- In the 1964 film, Father Came Too!, Nell is portrayed by Vanda Hudson
- In the 1969 mini-series, The First Churchills, Nell is portrayed by Andrea Lawrence
- In the 1983 film, The Wicked Lady, Nell is portrayed by Teresa Codling
- In the 1995 film, England, My England, Nell is played by Lucy Speed
- In the 2003 mini-series, Charles II: The Power & The Passion, Nell is played by Emma Pierson
- In the 2004 film, Stage Beauty, Nell is portrayed by Zoe Tapper
Read more about this topic: Nell Gwyn
Famous quotes containing the words film and/or television:
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving ones ordinary surroundings, soap operas are in fact spatially inseparable from the rest of ones life. In homes where television is on most of the time, they are also temporally integrated into ones real life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)