Career
Neil Christian and the Crusaders are one of the British rock and roll bands of the 1960s. They were signed to the Strike record label.
In the early 1960s Jimmy Page was asked to join The Crusaders. Page toured with Christian for approximately two years, and later played on several of his records, including their November 1962 single, "The Road to Love" / "The Big Beat Drum", released on Columbia and produced by Joe Meek under his RGM Sound imprint. At various times the band included Albert Lee and Alex Dmochowski, who later joined Aynsley Dunbar Retaliation.
When most of the line-up left to join Lord Sutch's Savages in 1965, Christian took on members of Luton Band The Hustlers, including Mick Abrahams, although in 1966 a touring version of The Crusaders was put together to promote the hit single "That's Nice" which consisted of Elmer Twitch piano (better known as Joe Brown); Tornado Evans drums; Ritchie Blackmore guitar; and Bibi Blange bass. Further singles failed to reach the charts, however, and Christian moved to Germany, where he remained popular.
In 1971, Christian took on the management of Crushed Butler who changed their name to Tiger. Christian got them into recording studios both in Wembley, and Tooting, London, where he produced them.
Everything Christian released between 1962 and 1968 has been reissued on the CD compilation, That's Nice, which also added several unreleased recordings from the same era.
Read more about this topic: Neil Christian
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
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“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
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