Neal Cassady - Literary Appearances

Literary Appearances

  • John Clellon Holmes — Go (1952) as "Hart Kennedy"
  • Allen Ginsberg — "The Green Automobile" (1953) as "my old companion"
  • Allen Ginsberg — "Howl" (1956) as "N.C."
  • Allen Ginsberg — "Many Loves" (1956)
  • Jack Kerouac — On the Road (1957) as "Dean Moriarty"
    • On the Road — The Original Scroll, as Neal Cassady
  • Jack Kerouac — The Subterraneans (1958) as "Leroy"
  • Jack Kerouac — The Dharma Bums (1958) as "Cody"
  • John Clellon Holmes — The Horn (1958) as "the driver"
  • Jack Kerouac — Visions of Cody (1960; published 1973) as "Cody Pomeray"
  • Jack Kerouac — Book of Dreams (1960) as "Cody Pomeray"
  • Jack Kerouac — Big Sur (1962) as "Cody Pomeray"
  • Jack Kerouac — Desolation Angels (novel) (1965) as "Cody Pomeray"
  • Hunter S. Thompson — Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)
  • Tom Wolfe — The Electric Kool-Aid Acid Test (1968)
  • Allen Ginsberg — "On Neal's Ashes" (1968)
  • Allen Ginsberg "Fall of America", "Elegies for Neal Cassady" (1968)
  • Charles Bukowski — Notes of a Dirty Old Man (1969) as "Kerouac's boy Neal C."
  • Robert Stone — "Porque No Tiene, Porque Le Falta" as "Willie Wings" (1969)
  • Ken Kesey — "Over the Border" as "Houlihan" (1973)
  • Robert Stone — Dog Soldiers as "Ray Hicks" (1974)
  • Ken Kesey — The Day After Superman Died as "Houlihan" (1979)
  • Chuck Rosenthal — Jack Kerouac's Avatar Angel: His Last Novel as "Cody Pomeray" (2001)
  • David Amram - OFFBEAT: Collaborating with Kerouac (2002)
  • Nick Mamatas — Move Under Ground (2004)
  • Phil Lesh — Searching for the Sound: My Life with the Grateful Dead (2005)
  • Robert Stone — Prime Green: Remembering the Sixties (2007)

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    Simile and Metaphor differ only in degree of stylistic refinement. The Simile, in which a comparison is made directly between two objects, belongs to an earlier stage of literary expression; it is the deliberate elaboration of a correspondence, often pursued for its own sake. But a Metaphor is the swift illumination of an equivalence. Two images, or an idea and an image, stand equal and opposite; clash together and respond significantly, surprising the reader with a sudden light.
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