National Portrait Gallery (Australia) - History

History

In the early 1900s, the painter Tom Roberts was the first to propose that Australia should have a national portrait gallery, but it wasn’t until the 1990s that the possibility began to take shape.

The 1992 exhibition Uncommon Australians - developed by the Gallery’s founding patrons, Gordon and Marilyn Darling - was shown in Canberra and toured to four state galleries, igniting the idea of a national portrait gallery. In 1994, under the management of the National Library of Australia, the Gallery’s first exhibition was launched in Old Parliament House. It was a further four years before the appointment of Andrew Sayers as Director signalled the establishment of the National Portrait Gallery as an institution in its own right, with a board, a budget and a brief to develop a collection of portraits reflecting the breadth and energy of Australian culture and endeavour. The opening of displays in the refurbished Parliamentary Library and two adjacent wings of Old Parliament House in 1999 endorsed the Gallery’s status and arrival as an independent institution.

While the spaces of Old Parliament House proved adaptable to the National Portrait Gallery’s programs, its growing profile and collection necessitated the move to a dedicated building. Funding for the $87 million dollar building was provided in the 2005 Federal Budget and Sydney-based architectural firm Johnson Pilton Walker was awarded the job of creating the gallery, with construction commencing in December 2006. The new National Portrait Gallery opened to the public on 4 December 2008.

Read more about this topic:  National Portrait Gallery (Australia)

Famous quotes containing the word history:

    The custard is setting; meanwhile
    I not only have my own history to worry about
    But am forced to fret over insufficient details related to large
    Unfinished concepts that can never bring themselves to the point
    Of being, with or without my help, if any were forthcoming.
    John Ashbery (b. 1927)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)