Winners
List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation | ||||||
---|---|---|---|---|---|---|
Year | Image | Recipient(s) | Song(s) | Film(s) | Language(s) | Citation |
1968 |
– | P. Susheela | – | Uyarntha Manithan | Tamil | – |
1969 |
K. B. Sundarambal | – | Thunaivan | Tamil | – | |
1970 |
– | Sandhya Mukhopadhyay | – | • Jay Jayanti • Nishi Padma |
Bengali | – |
1971 |
– | P. Susheela | – | Savaale Samaali | Tamil | – |
1972 |
Lata Mangeshkar | – | Parichay | Hindi | – | |
1973 |
No Award | |||||
1974 |
Lata Mangeshkar | – | Kora Kagaz | Hindi | – | |
1975 |
Vani Jairam | – | Apoorva Raagangal | Tamil | – | |
1976 |
– | P. Susheela | – | Siri Siri Muvva | Telugu | – |
1977 |
S. Janaki | "Senthoora Poove" | 16 Vayathinile | Tamil |
For purity of diction and melodic excellence; for emotive suggestiveness and lyrical appeal; for a quality of expression which is intensely moving; for rendering the theme song "Senthoora Poove" with deep feeling, reflecting the romantic dreams of youth, slowly merging into the shadows of tragic destiny. |
|
1978 |
– | Chhaya Ganguly | "Aap Ki Yaad Aati Rahi Raat Bhar" | Gaman | Hindi |
For a hauting rendition of Makhdun Mohluddin's famous ghazal "Aap Ki Yaad Aati Rahi Raat Bhar". The chastity of style, the purity of enunciation and the freshness of voice contribute to make it into a memorable song. |
1979 |
Vani Jairam | – | Sankarabharanam | Telugu | – | |
1980 |
S. Janaki | "Ettumanoor Ambalathil Ezhunnallathu" | Oppol | Malayalam |
For the serenity and pathos with which each rendering is imbued and for adding a new dimension to the theme of the film. |
|
1981 |
Asha Bhosle | – | Umrao Jaan | Hindi |
For the style with which she invests the rendering of the ghazals that form a part of the texture of the film. |
|
1982 |
– | P. Susheela | – | Meghasandesam | Telugu |
For her immense contribution to the musical excellence of the film. |
1983 |
– | P. Susheela | "Yendho Beeda Vaade Gopaludu" | M. L. A. Yedukondalu | Telugu |
For her fine flight of voice in the endearing of Gopal's magical childhood in the song "Gopaludu" from the film. |
1984 |
S. Janaki | – | Sitaara | Telugu | – | |
1985 |
K. S. Chithra | – | Sindhu Bhairavi | Tamil |
For melifluous rendering of songs, both in the folk and the classical moulds, bringing about a melodious synthesis between the two. |
|
1986 |
K. S. Chithra | "Manjal Prasadavum" | Nakhakshathangal | Malayalam |
For her melodious rendering of songs. |
|
1987 |
Asha Bhosle | "Mera Kuchh Saamaan" | Ijaazat | Hindi |
For her rendition with high professional skill and expression, of the many nuances of emotion and meaning of the highly poetic lyrics. |
|
1988 |
K. S. Chithra | – | Vaishali | Malayalam |
For her clear and tuneful rendering of the song. |
|
1989 |
Anuradha Paudwal | "He Ek Reshami Gharate" | Kalat Nakalat | Marathi |
For her clear and mellifluous rendering of the song. |
|
1990 |
Lata Mangeshkar | – | Lekin... | Hindi |
For singing with outstanding expressions with the rarest and purest of styles. |
|
1991 |
Vani Jairam | "Aanati Neeyaraa" | Swathi Kiranam | Telugu |
For the texture and clarity of her voice, which enlivened the classical song sung for the child prodigy. |
|
1992 |
S. Janaki | "Inji Iduppazhagi" | Thevar Magan | Tamil |
For melodious rendering of an innocent love song. |
|
1993 |
Alka Yagnik | "Ghoonghat Ki Aad Se" | Hum Hain Rahi Pyar Ke | Hindi |
For her ability to identify herself with the characters and render the delicate nuances of human feelings in complex situations. |
|
1994 |
– | Swarnalatha | "Porale Ponnuthaaye" | Karuththamma | Tamil |
For her extraordinarily compassionate song upon which much of the crucial dramatic action in the film is enacted. |
1995 |
– | Anjali Marathe | "Bhui Bhegalali Khol" | Doghi | Marathi |
For her melodious and heart rendering song expressing the aridness of life. |
1996 |
K. S. Chithra | "Mana Madurai" | Minsara Kanavu | Tamil |
For her soulful rendering of the song. |
|
1997 |
K. S. Chithra | "Paayalein Chhun Mun" | Virasat | Hindi |
For her effortless and playful rendering of the song. |
|
1998 |
Alka Yagnik | "Kuch Kuch Hota Hai" | Kuch Kuch Hota Hai | Hindi |
Her rendering of this theme song brings out the different moods and emotion and adds greatly to the impact of the film. |
|
1999 |
– | Jayshree Dasgupta | "Hriday Amar Prokash Holo" | Paromitar Ek Din | Bengali |
For soulful rendering by the singer expressing the inner world of a mentally challenged character in this film. |
2000 |
– | Bhavatharini Ilaiyaraaja | "Mayil Pola Ponnu Onnu" | Bharathi | Tamil |
For the song which is outstanding because it depicts the velvet voice of the diva. |
2001 |
Sadhana Sargam | "Pattu Cholli" | Udayageethavin Azhagi | Tamil |
For her lilting and touching rendering of the song. |
|
2002 |
Shreya Ghoshal | "Bairi Piya" | Devdas | Hindi |
For her soulful rendering of the song. |
|
2003 |
– | Tarali Sarma | "Kakuti Gosha" | Akashitorar Kothare | Assamese |
For her tuneful rendition of a devotional song without instrumental accompaniment. |
2004 |
K. S. Chithra | "Ovvoru Pookalume" | Autograph | Tamil |
For expressive and soulful rendition of the song with powerful voice throw suitable to the text and the scene. |
|
2005 |
Shreya Ghoshal | "Dheere Jalna" | Paheli | Hindi |
For her evocative rendition of a song that treads the fine balance between the classical and popular genre of Hindi film music. |
|
2006 |
Arati Ankalikar-Tikekar | – | Antarnad | Konkani |
For the sonorous rendering that gives conviction to the central character of a classical vocalist. |
|
2007 |
Shreya Ghoshal | "Yeh Ishq Haaye" | Jab We Met | Hindi |
For her mellifluous voice and rich tonal quality. Her rendition evokes the beauty of nature through its subtle nuances. |
|
2008 |
Shreya Ghoshal | • "Pherari Mon" • "Jeev Dangla Gungla Rangla Asa" |
• Antaheen • Jogwa |
Bengali Marathi |
For her wide ranging rendition of human emotions. |
|
2009 |
– | Nilanjana Sarkar | "Boye Jay Sudhu Bish" | Houseful | Bengali |
For the haunting texture of a voice that blends the melody, words and rhythm. |
2010 |
Rekha Bhardwaj | "Badi Dheere Jali" | Ishqiya | Hindi |
For a sensual and evocative rendering of a heart longing for the beloved. |
|
2011 |
Rupa Ganguly | • "Dure Kothao Dure Dure" • "Aaji Bijan Ghare" |
Abosheshey | Bengali |
For her husky and haunting voice that brings a gentle, nostalgic tone and tenor to the film Abosheshey. The languid raw sensuality of her singing is heightened by the absence of musical accompaniment. |
|
2012 |
Arati Ankalikar-Tikekar | "Palakein Naa Moondon" | Samhita | Marathi |
Gifted with an earthy and haunting voice the singer gives ample evidence of her classical moorings, without any instrumental embellishments. |
Read more about this topic: National Film Award For Best Female Playback Singer
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