National Film Award For Best Female Playback Singer - Winners

Winners

List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation
Year Image Recipient(s) Song(s) Film(s) Language(s) Citation
1968
P. Susheela Uyarntha Manithan Tamil
1969
K. B. Sundarambal Thunaivan Tamil
1970
Sandhya Mukhopadhyay Jay Jayanti
Nishi Padma
Bengali
1971
P. Susheela Savaale Samaali Tamil
1972
Lata Mangeshkar Parichay Hindi
1973
No Award
1974
Lata Mangeshkar Kora Kagaz Hindi
1975
Vani Jairam Apoorva Raagangal Tamil
1976
P. Susheela Siri Siri Muvva Telugu
1977
S. Janaki "Senthoora Poove" 16 Vayathinile Tamil

For purity of diction and melodic excellence; for emotive suggestiveness and lyrical appeal; for a quality of expression which is intensely moving; for rendering the theme song "Senthoora Poove" with deep feeling, reflecting the romantic dreams of youth, slowly merging into the shadows of tragic destiny.

1978
Chhaya Ganguly "Aap Ki Yaad Aati Rahi Raat Bhar" Gaman Hindi

For a hauting rendition of Makhdun Mohluddin's famous ghazal "Aap Ki Yaad Aati Rahi Raat Bhar". The chastity of style, the purity of enunciation and the freshness of voice contribute to make it into a memorable song.

1979
Vani Jairam Sankarabharanam Telugu
1980
S. Janaki "Ettumanoor Ambalathil Ezhunnallathu" Oppol Malayalam

For the serenity and pathos with which each rendering is imbued and for adding a new dimension to the theme of the film.

1981
Asha Bhosle Umrao Jaan Hindi

For the style with which she invests the rendering of the ghazals that form a part of the texture of the film.

1982
P. Susheela Meghasandesam Telugu

For her immense contribution to the musical excellence of the film.

1983
P. Susheela "Yendho Beeda Vaade Gopaludu" M. L. A. Yedukondalu Telugu

For her fine flight of voice in the endearing of Gopal's magical childhood in the song "Gopaludu" from the film.

1984
S. Janaki Sitaara Telugu
1985
K. S. Chithra Sindhu Bhairavi Tamil

For melifluous rendering of songs, both in the folk and the classical moulds, bringing about a melodious synthesis between the two.

1986
K. S. Chithra "Manjal Prasadavum" Nakhakshathangal Malayalam

For her melodious rendering of songs.

1987
Asha Bhosle "Mera Kuchh Saamaan" Ijaazat Hindi

For her rendition with high professional skill and expression, of the many nuances of emotion and meaning of the highly poetic lyrics.

1988
K. S. Chithra Vaishali Malayalam

For her clear and tuneful rendering of the song.

1989
Anuradha Paudwal "He Ek Reshami Gharate" Kalat Nakalat Marathi

For her clear and mellifluous rendering of the song.

1990
Lata Mangeshkar Lekin... Hindi

For singing with outstanding expressions with the rarest and purest of styles.

1991
Vani Jairam "Aanati Neeyaraa" Swathi Kiranam Telugu

For the texture and clarity of her voice, which enlivened the classical song sung for the child prodigy.

1992
S. Janaki "Inji Iduppazhagi" Thevar Magan Tamil

For melodious rendering of an innocent love song.

1993
Alka Yagnik "Ghoonghat Ki Aad Se" Hum Hain Rahi Pyar Ke Hindi

For her ability to identify herself with the characters and render the delicate nuances of human feelings in complex situations.

1994
Swarnalatha "Porale Ponnuthaaye" Karuththamma Tamil

For her extraordinarily compassionate song upon which much of the crucial dramatic action in the film is enacted.

1995
Anjali Marathe "Bhui Bhegalali Khol" Doghi Marathi

For her melodious and heart rendering song expressing the aridness of life.

1996
K. S. Chithra "Mana Madurai" Minsara Kanavu Tamil

For her soulful rendering of the song.

1997
K. S. Chithra "Paayalein Chhun Mun" Virasat Hindi

For her effortless and playful rendering of the song.

1998
Alka Yagnik "Kuch Kuch Hota Hai" Kuch Kuch Hota Hai Hindi

Her rendering of this theme song brings out the different moods and emotion and adds greatly to the impact of the film.

1999
Jayshree Dasgupta "Hriday Amar Prokash Holo" Paromitar Ek Din Bengali

For soulful rendering by the singer expressing the inner world of a mentally challenged character in this film.

2000
Bhavatharini Ilaiyaraaja "Mayil Pola Ponnu Onnu" Bharathi Tamil

For the song which is outstanding because it depicts the velvet voice of the diva.

2001
Sadhana Sargam "Pattu Cholli" Udayageethavin Azhagi Tamil

For her lilting and touching rendering of the song.

2002
Shreya Ghoshal "Bairi Piya" Devdas Hindi

For her soulful rendering of the song.

2003
Tarali Sarma "Kakuti Gosha" Akashitorar Kothare Assamese

For her tuneful rendition of a devotional song without instrumental accompaniment.

2004
K. S. Chithra "Ovvoru Pookalume" Autograph Tamil

For expressive and soulful rendition of the song with powerful voice throw suitable to the text and the scene.

2005
Shreya Ghoshal "Dheere Jalna" Paheli Hindi

For her evocative rendition of a song that treads the fine balance between the classical and popular genre of Hindi film music.

2006
Arati Ankalikar-Tikekar Antarnad Konkani

For the sonorous rendering that gives conviction to the central character of a classical vocalist.

2007
Shreya Ghoshal "Yeh Ishq Haaye" Jab We Met Hindi

For her mellifluous voice and rich tonal quality. Her rendition evokes the beauty of nature through its subtle nuances.

2008
Shreya Ghoshal • "Pherari Mon"
• "Jeev Dangla Gungla Rangla Asa"
Antaheen
Jogwa
Bengali
Marathi

For her wide ranging rendition of human emotions.

2009
Nilanjana Sarkar "Boye Jay Sudhu Bish" Houseful Bengali

For the haunting texture of a voice that blends the melody, words and rhythm.

2010
Rekha Bhardwaj "Badi Dheere Jali" Ishqiya Hindi

For a sensual and evocative rendering of a heart longing for the beloved.

2011
Rupa Ganguly • "Dure Kothao Dure Dure"
• "Aaji Bijan Ghare"
Abosheshey Bengali

For her husky and haunting voice that brings a gentle, nostalgic tone and tenor to the film Abosheshey. The languid raw sensuality of her singing is heightened by the absence of musical accompaniment.

2012
Arati Ankalikar-Tikekar "Palakein Naa Moondon" Samhita Marathi

Gifted with an earthy and haunting voice the singer gives ample evidence of her classical moorings, without any instrumental embellishments.

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