Winners
Award includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Following are the award winners over the years:
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List of award films, showing the year (award ceremony), producer(s), director(s) and citation | ||||
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Year | Film(s) | Producer(s) | Director(s) | Citation |
1954 |
Peddamanushulu | Vauhini Productions | Kadri Venkata Reddy | – |
1954 |
Thodu Dongalu | National Art Theatres | Dasari Yoganand | – |
1954 |
Vipra Narayana | Bharani Pictures | P. S. Ramakrishna Rao | – |
1955 |
Bangaru Papa | Vauhini Productions | B. N. Reddy | – |
1955 |
Ardhangi | Ragini Films | P. Pullaiah | – |
1956 |
Tenali Ramakrishna | Vikram Productions | B. S. Ranga | – |
1956 |
Edi Nijam | Pratibha Productions | Sundaram Balachander | – |
1957 |
Bhagya Rekha | Ponnaluri Brothers | B. N. Reddy | – |
1957 |
Thodi Kodallu | Annapurna Pictures | Adurthi Subba Rao | – |
1958 |
Pelli Naati Pramanalu | Jayanthi Pictures | Kadri Venkata Reddy | – |
1958 |
Mangalya Balam | Annapurna Pictures | Adurthi Subba Rao | – |
1959 |
Nammina Bantu | Sambhu Films | Adurthi Subba Rao | – |
1959 |
Maa Inti Mahalakshmi | Navashakthi Films | Gutha Ramineedu | – |
1959 |
Jayabheri | Vasireddy Narayana Rao | P. Pullaiah | – |
1960 |
Mahakavi Kalidasu | Sarani Productions | K. Kameswara Rao | – |
1960 |
Seetharama Kalyanam | N. A. T. Pvt Ltd. | N. Trivikrama Rao | – |
1961 |
Bharya Bharthalu | Prasad Art Pictures | K. Pratyagatma | – |
1962 |
Mahamantri Timmarusu | Gowthami Productions | K. Kameswara Rao | – |
1962 |
Kula Gothralu | A. Subba Rao | Kotayya Pratyagatma | – |
1962 |
Siri Sampadalu | V. Venkateswarlu | P. Pullaiah | – |
1963 |
Lava Kusha | Lalita Sivajyoti Films | • C. Pullaiah • C. S. Rao |
– |
1963 |
Amar Silpi Jakkanna | B. S. Ranga | B. S. Ranga | – |
1963 |
Mooga Manasulu | C. Sundaram | Adurthi Subba Rao | – |
1964 |
Doctor Chakravarthy | D. Madhusudhana Rao | Adurthi Subba Rao | – |
1964 |
Ramadasu | Chittor V. Nagaiah | Chittor V. Nagaiah | – |
1965 |
Antastulu | V. B. Rajendra Prasad | V. Madhusudhan Rao | – |
1965 |
Palnati Yudham | Y. Lakshmaya Choudaray | Gutha Ramineedu | – |
1965 |
Manushulu Mamathalu | A. Subba Rao | K. Atma | – |
1966 |
Rangula Ratnam | B. N. Reddy | B. N. Reddy | – |
1966 |
Ramu | A. V. Meiyappan | A. C. Trilogchander | – |
1967 |
Sudigundalu | Chakravarthi Chitra | Adurthi Subba Rao | – |
1968 |
Varakatnam | N. Trivikrama Rao | N. T. Rama Rao | – |
1969 |
Adarsha Kutumbam | N. Trivikrama Rao | Adurthi Subba Rao | – |
1970 |
Deshamante Manushuloyi | • K. M. K. Naidu • G. K. Naidu |
C. S. Rao | – |
1971 |
Mattilo Manikyam | Chalam | B. V. Prasad | – |
1972 |
Pandanti Kapuram | G. Hanumantha Rao | Lakshmi Deepak | – |
1973 |
No Award | |||
1974 |
No Award | |||
1975 |
Mutyala Muggu | M. V. L. Narasimha Rao | Bapu | – |
1976 |
Oorummadi Brathukulu | B. S. Narayana | B. S. Naryana | – |
1977 |
Oka Oori Katha | A. Parandhama Reddy | Mrinal Sen |
For successfully transforming Premchand's story "Kafan" into a scathing commentary on rural destitution and social injustice; for projecting through powerful performances of its leading characters, the degradation and brutalisation of human beings, for its sincere commitment to the cause of the downtrodden; for its fervent impassioned appeal to the conscience of humanity. |
1978 |
Nimajjanam | Red Rose Art Films | B. S. Narayana |
For a simple and restrained depiction of a dramatic theme, involving a woman's violation resulting in suicide. |
1979 |
Nagna Sathyam | U. Visweswara Rao | U. Visweswara Rao | |
1980 |
Harischandrudu | U. D. Murali Krishna | U. Visweswara Rao |
For an exposure of the manoeuvrings and misdeeds of politicians and for contributing significantly to the development of political cinema in India. |
1981 |
Seethakoka Chiluka | Edida Nageshwara Rao | P. Bharathiraja |
For skilfully handling the theme of inter-communal marriage and making an impassioned stand against bigotry. |
1982 |
Meghasandesham | Dasari Narayana Rao | Dasari Narayana Rao |
For its lyrical and aesthetic qualities. |
1983 |
Rangula Kala | K. Venkateswara Rao | B. Narsing Rao |
For a vivid portrayal of urban life as seen by a sensitive painter in search of his identification with the masses. |
1984 |
Sitaara | Edida Nageswara Rao | Vamsy | – |
1985 |
Sravanthi | Jayakrishna | Kranti Kumar |
For a moving film, which depicts the plight of the quitessential Indian woman who goes through life discharging obligations as daughter, wife and mother. |
1986 |
Swathi Muthyam | Edida Nageshwara Rao | K. Viswanath |
For an effective rendering of a dramatic story about a man too innocent and child-like to fit into the scheme of the hard, calculating world. |
1987 |
No Award | |||
1988 |
Daasi | B. Ramachandra Rao | B. Narsing Rao |
For portraying the grim reality of a feaudal milieu through original and rare use of film language. |
1989 |
Suthradharulu | • Sudhakar Reddy • C. Karunakar Rao |
K. Viswanath |
For the way it charts the conquest of social oppression by spiritual understanding and peace. |
1990 |
Matti Manushulu | K. Mukherjee and Veda Kumar | B. Narsing Rao |
For portraying the stark reality of pain which has been underlined with the warm hues of life. |
1991 |
Bhadram Koduko | V. Ramachandra Rao | Akkineni Kutumba Rao |
For effectively focussing attention on the need for providing protection to homeless children. |
1992 |
Ankuram | K. V. Suresh Kumar | C. Umamaheswara Rao |
For the struggle of a simple housewife who fights an oppressive system single-handed and succeeds in making a dent. |
1993 |
Mister Pellam | Gavara Partha Sarathi | Bapu |
For its satirical exploration of the myth of the male ego, being superior to that of female. |
1994 |
No Award | |||
1995 |
Stri | • NFDC • Doordarshan |
K. S. Sethumadhavan |
The film is a startling revelation of the mind of a simple village woman, who asserts her right over her man and stands by him under all circumstances. |
1996 |
Ninne Pelladata | Akkineni Nagarjuna | Krishna Vamsi |
For the innovative way in which a family drama with the contemporary theme is handled. |
1997 |
Sindhooram | Krishna Vamsi | Krishna Vamsi |
For the film's sincere effort at analysing, the problem of corruption which leads to disillusionment among the young and perpetuates violence within a society. |
1998 |
Tholi Prema | G. V. G. Raju | A. Karunakaran |
For an unusual love story about two friends who confess their feelings for each other at the end of the film, which is a break from the run-of-the-mill film. |
1999 |
Kalisundam Raa | Daggubati Suresh Babu | Uday Shankar |
For a conventionally structured film in the genre of mainstream cinema which conveys in an entertaining and wholesome manner a social message of togetherness and the need for preserving the unit of the joint family. |
2000 |
Nuvve Kavali | Ramoji Rao | K. Vijaya Bhaskar |
For a refreshing film about a teenage friendship that blossoms into romance. The film stands out for it's youthful treatment thus bringing out the exuberance of this film. |
2001 |
Show | Manjula Ghattamaneni | G. Neelakanta Reddy |
For depicting the development of human relations between two strangers with spontaneous humour and rare insight into life. |
2002 |
No Award | |||
2003 |
Aithe | Gangaraju Gunnam | Chandra Sekhar Yeleti |
For its portrayal of frustration in the youth, successfully solving it through a positive approach almost making the characters role models. |
2004 |
Swarabhishekam | H. Gopalakrishna Murthy | K. Viswanath |
For its excellent musical structure clubbed with great classical musical performance. |
2005 |
Bommalata | • R. K. Film Associates • Spirit Media (P) Ltd. • Gunnam Ganga Raju |
Prakash Kovelamudi |
For cinematically vibrant rendition of the story of an underprivileged through the medium of puppetry and magic. |
2006 |
Kamli | • B. C. Hari Charana Prasad • P. V. Sukanya |
K. N. T. Sastry |
For a convincing portrayal of the courage of a disadvantaged woman in her fight against female foeticide and child swapping. |
2007 |
No Award | |||
2008 |
1940 Lo Oka Gramam | N. C. Narasimham | N. C. Narasimham |
For its courageous handling of caste-based prejudices. |
2009 |
No Award | |||
2010 |
No Award | |||
2011 |
No Award | |||
2012 |
Eega | K. Ranganatha Sai | S. S. Rajamouli |
In this one-of-its-kind and extraordinary fusion of technology and cinematic narrative the filmmaker has broken new grounds in concept and execution. |
Read more about this topic: National Film Award For Best Feature Film In Telugu
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“The two real political parties in America are the Winners and the Losers. The people dont acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead.”
—Kurt Vonnegut, Jr. (b. 1922)