Nathaniel Jeremiah Bradlee - Gallery

Gallery

  • First Church of Jamaica Plain, 1854

  • Danvers State Hospital, 1874-1877

  • Boston Young Men's Christian Union, 1876

  • Depot, North Conway, New Hampshire, 1874

  • 1853-1854 - First Church in Jamaica Plain, Unitarian-Universalist, a National Register of Historic Places (NRHP) site. At Centre and South Sts. Jamaica Plain, Massachusetts.
  • 1855 - William F. Schultz House, 53 Beacon Street, Boston, Massachusetts.
  • Early 1860s - Jordan Marsh department store, 450 Washington Street, Boston, Massachusetts (demolished in 1975)
  • 1861-1862, Phillips School, Boston, Massachusetts. A rare substantial surviving Italianate school building.
  • 1869, the Cochituate Standpipe. Modernized Roxbury's water system.
  • 1870 - Mount Auburn Reception House, Mount Auburn Cemetery, Cambridge, Massachusetts. One of only two existing buildings in Cambridge, Massachusetts by Bradlee.
  • 1874, Railway Station, North Conway, New Hampshire.
  • 1874- Second Church, Boston, on Boylston Street, between Dartmouth and Clarendon
  • 1874-1877 - Danvers State Hospital, 450 Maple Street, Danvers, Massachusetts. A massive complex designed to care for the mentally ill.
  • 1875, commercial building (workshops), 6 East Springfield Street, South End, Boston
  • 1876 - Boston Young Men's Christian Union, 48 Boylston Street, Boston, Massachusetts. An outstanding example of the High Gothic style, another NRHP site.
  • 1878 - Unitarian Church, Brunswick, Maine.
  • 1879 - 542-550 Columbus Avenue, South End, Boston. Single family row houses.
  • Late 1870s - Palladio Hall, 60-62 Warren Street, Boston, Massachusetts. An Italian Renaissance-style commercial block designed and owned by Bradlee.

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    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
    Henry David Thoreau (1817–1862)

    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
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    Anton Pavlovich Chekhov (1860–1904)