Natasha Rostova - Biography

Biography

At the start of the novel in 1805, Natasha is a 12-year old girl, the daughter of Count Ilya Rostov and Countess Natalya Rostova. She has fallen in love with young Prince Boris Drubetskoy, who lives with his mother in the Rostov estate. She becomes close friends with Count Pierre Bezukhov, who frequently visits the Rostovs. When Boris leaves to pursue a career in the staff of General Mikhail Kutuzov, their friendship evaporates, and at her first ball, Pierre introduces her to Prince Andrei Bolkonsky. They fall in love and become engaged, but Andrei's father objects to the match. He forces Andrei to postpone the marriage for a year, in which he should stay in a resort abroad to better his health. A visit to Andrey's father ends in a falling-out between Natasha and Princess Marya, Andrey's sister. During Andrey's absence, Prince Anatole Kuragin takes advantage of the situation by courting Natasha, even though he is already married. She succumbs to his charms, and tries to elope with Kuragin. Although this is thwarted by Natasha's cousin Sonya, Natasha hastily writes to Princess Marya, breaking off the engagement. After her plan to elope is ruined, Natasha attempts suicide. She is rescued by the doctor before she dies.

As Napoleon advances in Russia, the Rostovs are forced to evacuate their estate and retreat to their Moscow residence. When the Rostovs plan to evacuate Moscow, her parents use the carts for transportation of the wounded soldiers, and Natasha discovers that Andrei is among the wounded soldiers. She devotes all her time to nursing him.

After the French forces depart Moscow, Natasha again meets Andrei's sister Marya and together they nurse Andrey until he dies. They are reunited with Pierre, whose estranged wife Helene has died. Natasha and Pierre fall in love. Eventually, they marry and have four children.

Read more about this topic:  Natasha Rostova

Famous quotes containing the word biography:

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)