Early 1980s
Kaupas began skating during his childhood years. In 1983 Kaupas won a local Santa Monica surfing contest and received a Santa Monica Airlines (SMA) skateboard as a first place prize. SMA was operated out of the back of a surfshop owned by Skip Engblom. Kaupas approached Engblom about becoming a member of his skate team, which did not exist. However, Engblom was impressed with Kaupas's skating ability and offered to sponsor him.
Kaupas by his own admission remained clueless and uninterested in the mainstream skateboard subculture. He honed his street skateboarding skills by utilizing his surroundings, preferring not to ride ramps or parks. By the mid 1980s, Kaupas had discovered riding walls where he would throw his skateboard up against a wall and ride off of it. He then perfected this trick by riding up the side of walls without using his hands. In 1984 Thrasher Magazine photographer and skating commentator Craig Stecyk took a photo of Kaupas riding off a wall which featured on the cover of Thrasher Magazine's September 1984 issue. With this cover photo, Kaupas began to receive more magazine coverage and recognition from professional skaters. Also in 1984, SMA released Kaupas's first pro-model skateboard, which imfamously featured a panther image drawn by Santa Monica artist Kevin Ancell. At this point, Kaupas was regularly skating with such notables as Mark Gonzales, Julien Stranger and Jim Thiebaud and pioneering what would be known as 'street skating'. Kaupas and Gonzales innovated many new skateboarding tricks and ideas, the first of which was transferring Rodney Mullen's kickflip from freestyle skating to street skating.
Read more about this topic: Natas Kaupas
Famous quotes containing the word early:
“All of Western tradition, from the late bloom of the British Empire right through the early doom of Vietnam, dictates that you do something spectacular and irreversible whenever you find yourself in or whenever you impose yourself upon a wholly unfamiliar situation belonging to somebody else. Frequently its your soul or your honor or your manhood, or democracy itself, at stake.”
—June Jordan (b. 1939)