Development of The Genre
When the Indo-Pakistani War of 1965, closely associated with the Bangladesh War of Liberation flared up, he was asked by the editors and publishers to add an aura of invincibility. Debnath was reluctant at first because he was worried about legal implications. On assurance, he made Batul a superhero able to take on tanks, airplanes, and missiles. Bullets began to bounce off of him as in the case of Superman. Batul is still drawn by Debnath for Shuktara.
Later, Debnath was approached by Kishor Bharati for a Durga Puja special issue. The noted writer Premendra Mitra was editor at the time. Later, when Dinesh Chandra Chatterjee became editor, Debnath was asked to convert to strip form a detective thriller that he was writing. This metamorphosed into Black Diamond Indrajit Roy. The first serial strip that Debnath began to create for the Kishore Bharati monthly issues was Potolchand The Magician, which ran for about three issues. It seemed as if Dinesh Chatterjee was looking for something along the lines of Handa-Bhonda. Although not in the same mould, Nonte Phonte was born deriving inspiration from Handa Bhonda. Quickly, it developed into a separate storyline and also became published in comic book form.
He is also a great illustrator & an expert in serious drawing too. His work for Tarzan stories, Bengali translation of foreign novels etc. are among his great works of illustration.
Read more about this topic: Narayan Debnath
Famous quotes containing the words development of, development and/or genre:
“The American has dwindled into an Odd Fellow—one who may be known by the development of his organ of gregariousness.”
—Henry David Thoreau (1817–1862)
“Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding of human behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.”
—Jeanne Elium (20th century)
“We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.”
—Daniel Easterman (b. 1949)