Production
- Executive producers: Whitney Houston, Clive Davis
- Producers: Babyface, Kelvin Bradshaw, Jerry Duplessis, Missy Elliott, David Foster, Lauryn Hill, Wyclef Jean, Rodney Jerkins, Karlin, Soulshock, Lloyd Turner
- Engineers: Paul Boutin, Tim Boyle, Dana Jon Chappelle, Commissioner Gordon, Felipe Elgueta, Paul J. Falcone, Paul Falcone, Humberto Gatica, Brad Gilderman, Jean-Marie Horvat, Reggie Jackson, Manny Marroquin, Don Murray, Kevin Parker, Rick St. Hillaire, Jon Smeltz, Kendal Stubbs, Tommy Vicari
- Assistant engineers: Chuck Bailey, Luis Castillo, Ray Cervenka, Greg Dennon, Mark Eshelman, Jonas G., Brian Garten, Jason Groucott, Victor McCoy, Sue McLean, Susat Mclean, Wes Naprstek, John Nelson, Wes Neprstek, Jamie Siegel, John Sorenson, Tom Sweeney, Pascal Volberg, Michael White
- Mixing: Tom Bender, Commissioner Gordon, E'lyk, Paul Falcone, Jon Gass, Brad Gilderman, Mick Guzauski, Jean-Marie Horvat, Manny Marroquin, Rick St. Hillaire, Soulshock
- Mixing assistant: E'lyk
- Mastering: Tony Dawsey
- Editing: Harvey Mason, Jr.
- Instrumentation: Kelvin Bradshaw, Karlin, Soulshock, Lloyd Turner
- Pro-tools: Harvey Mason, Jr.
- Drum programming: Babyface, Kelvin Bradshaw, Che Guevara, Rodney Jerkins
- Synthesizer programming: Felipe Elgueta
- Production coordination: Robyn Crawford, Miriam Gonzales, Jennifer McGee, Maria Padula, Susanne Savage, Ivy Skoff
- Session coordinator: Suzette Williams
- Contractor: Debbie Datz-Pyle, Sandy DeCrescent
- Arrangers: David Foster, Lauryn Hill, Karlin, Bill Meyers, Bill Ross, Soulshock, Hans Zimmer
- Keyboard arrangements: David Foster, Rodney Jerkins
- Orchestral arrangements: Bill K. Myers
- Rhythm arrangements: Lloyd Turner, Kelvin Bradshaw
- Vocal arrangement: Whitney Houston
- Art direction: Christopher Stern
- Photography: Dana Lixenberg
- Make-up: Roxanna Floy
- Hair stylist: Ellin La Var
- Stylist: Patti Wilson
Read more about this topic: My Love Is Your Love
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)