String
On string instruments of the violin family, the mute takes the form of a device attached to the bridge of the instrument, dampening vibrations and resulting in a "softer" sound. Usually this takes the form of a small three-prong implement which is attached to the top of the bridge with one prong between each pair of strings, although anything which stops the bridge vibrating will suffice, and sprung clothes pegs, for example, have been used. The late Karl Haas told a story (supposedly true) about a violinist in an orchestra having a confectioner make him a mute entirely from candy, so that he could surprise his desk partner by eating the mute after finishing with it.
A famous use of string mutes is in the introduction of Prokofiev's Romeo and Juliet. All the strings are muted (con sordini) so the sound appears to grow out of the initial discord, as if appearing from nothing. The sound is softer and more lyrical and flowing.
A more modern invention is a mute which sits on the strings between the bridge and tailpiece of the instrument. This is slid into place right next to the bridge to produce the same effect as the detachable three-pronged mutes.
Read more about this topic: Mute (music)
Famous quotes containing the word string:
“... looped with the creep of varying light,
Monkey-brown, fish-grey, a string of infected circles
Loitering like bullies, about to coagulate....”
—Philip Larkin (1922–1986)
“Supposing everyone lived at one time what would they say. They would observe that stringing string beans is universal.”
—Gertrude Stein (1874–1946)
“The Indian remarked as before, “Must have hard wood to cook moose-meat,” as if that were a maxim, and proceeded to get it. My companion cooked some in California fashion, winding a long string of the meat round a stick and slowly turning it in his hand before the fire. It was very good. But the Indian, not approving of the mode, or because he was not allowed to cook it his own way, would not taste it.”
—Henry David Thoreau (1817–1862)