Musical Film - Spanish Musical Films

Spanish Musical Films

Spain has a history and tradition of musical films that were made independent of Hollywood influence. The first films arise during the Second Spanish Republic of the 1930s and the advent of sound films. A few zarzuelas (Spanish operetta) were even adapted as screenplays during the silent era. The beginnings of the Spanish musical were focused on romantic Spanish archetypes: Andalusian villages and landscapes, gypsys, "bandoleros", and copla and other popular folk songs included in story development. These films had even more box-office success than Hollywood premieres in Spain. The first Spanish film stars came from the musical genre: Imperio Argentina, Estrellita Castro, Florián Rey (director) and, later, Lola Flores, Sara Montiel and Carmen Sevilla. The Spanish musical started to expand and grow. Juvenile stars appear and top the box-office. Marisol, Joselito, Pili & Mili and Rocío Dúrcal was the major figures of musical films from 60's to 70's. Due to Spanish transition to democracy and rise of "Movida culture", the musical genre felt into a decadence of production and box-office, only saved by Carlos Saura and his flamenco musical films.

Read more about this topic:  Musical Film

Famous quotes containing the words spanish, musical and/or films:

    The Bermudas are said to have been discovered by a Spanish ship of that name which was wrecked on them.... Yet at the very first planting of them with some sixty persons, in 1612, the first governor, the same year, “built and laid the foundation of eight or nine forts.” To be ready, one would say, to entertain the first ship’s company that should be next shipwrecked on to them.
    Henry David Thoreau (1817–1862)

    If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.
    Henry David Thoreau (1817–1862)

    Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.
    Marjorie Rosen (b. 1942)