Musical Film - Spanish Musical Films

Spanish Musical Films

Spain has a history and tradition of musical films that were made independent of Hollywood influence. The first films arise during the Second Spanish Republic of the 1930s and the advent of sound films. A few zarzuelas (Spanish operetta) were even adapted as screenplays during the silent era. The beginnings of the Spanish musical were focused on romantic Spanish archetypes: Andalusian villages and landscapes, gypsys, "bandoleros", and copla and other popular folk songs included in story development. These films had even more box-office success than Hollywood premieres in Spain. The first Spanish film stars came from the musical genre: Imperio Argentina, Estrellita Castro, Florián Rey (director) and, later, Lola Flores, Sara Montiel and Carmen Sevilla. The Spanish musical started to expand and grow. Juvenile stars appear and top the box-office. Marisol, Joselito, Pili & Mili and Rocío Dúrcal was the major figures of musical films from 60's to 70's. Due to Spanish transition to democracy and rise of "Movida culture", the musical genre felt into a decadence of production and box-office, only saved by Carlos Saura and his flamenco musical films.

Read more about this topic:  Musical Film

Famous quotes containing the words spanish, musical and/or films:

    Wheeler: Aren’t you the fellow the Mexicans used to call “Brachine”?
    Dude: That’s nearly right. Only it’s “Borracho.”
    Wheeler: I don’t think I ever seen you like this before.
    Dude: You mean sober. You’re probably right. You know what “Borracho” means?
    Wheeler: My Spanish ain’t too good.
    Dude: It means drunk. No, if the name bothers ya’ they used to call me Dude.
    Jules Furthman (1888–1960)

    I was with Hercules and Cadmus once,
    When in a wood of Crete they bayed the bear
    With hounds of Sparta: never did I hear
    Such gallant chiding; for besides the groves,
    The skies, the fountains, every region near
    Seemed all one mutual cry. I never heard
    So musical a discord, such sweet thunder.
    William Shakespeare (1564–1616)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)