Describing the music of the Democratic Republic of the Congo is difficult, due to vagaries surrounding the meanings of various terms. The country itself was formerly called Zaire and is now sometimes referred to as Congo-Kinshasa to distinguish it from the Republic of the Congo (or Congo-Brazzaville). In this article, Congo will refer specifically to the Democratic Republic of the Congo unless otherwise noted. Outside of Africa, most any music from the Congo is called soukous, which most accurately refers instead to a dance popular in the late 1960s. The term rumba or rock-rumba is also used generically to refer to Congolese music, though both words have their own difficulties and neither is very precise nor accurately descriptive. People from the Congo have no term for their own music per se, although they have used muziki na biso (our music)until the late 1970s and now the most common name is "ndule" which simply means music in the lingala dialect. Most songs from the Democratic Republic of the Congo are sung in the "lingala" dialect, mainly because it is the dialect which is the most spoken in the country.
Famous quotes containing the words music of the, music, democratic and/or republic:
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.”
—David Byrne (b. 1952)
“It shone on everyone, whether they had a contract or not. The most democratic thing I’d ever seen, that California sunshine.”
—Angela Carter (1940–1992)
“Jean Jacques Rousseau ... is nothing but a fool in my eyes when he takes it upon himself to criticise society; he did not understand it, and approached it with the heart of an upstart flunkey.... For all his preaching a Republic and the overthrow of monarchical titles, the upstart is mad with joy if a Duke alters the course of his after-dinner stroll to accompany one of his friends.”
—Stendhal [Marie Henri Beyle] (1783–1842)