The Music of North Dakota has followed general American trends over much of its history, beginning with ragtime and folk music, moving into big band and jazz. With the development of mass media, local artists in North Dakota, as in the rest of the country, saw a rapid loss of opportunity to create, perform, and sell popular music to the regional audience that had previously provided a market. Although perhaps unexpected for a largely agricultural region of the nation, country music is not a major genre in the modern youth scene of North Dakota. A number of country artists who appeal to older audiences however, have emerged from the state.
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“The recent attempt to secure a charter from the State of North Dakota for a lottery company, the pending effort to obtain from the State of Louisiana a renewal of the charter of the Louisiana State Lottery, and the establishment of one or more lottery companies at Mexican towns near our border, have served the good purpose of calling public attention to an evil of vast proportions.”
—Benjamin Harrison (1833–1901)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“If this be love, to clothe me with dark thoughts,
Haunting untrodden paths to wail apart;
My pleasures horror, music tragic notes,
Tears in mine eyes and sorrow at my heart.
If this be love, to live a living death,
Then do I love and draw this weary breath.”
—Samuel Daniel (1562–1619)
“We have heard all of our lives how, after the Civil War was over, the South went back to straighten itself out and make a living again. It was for many years a voiceless part of the government. The balance of power moved away from it—to the north and the east. The problems of the north and the east became the big problem of the country and nobody paid much attention to the economic unbalance the South had left as its only choice.”
—Lyndon Baines Johnson (1908–1973)