The Music of North Dakota has followed general American trends over much of its history, beginning with ragtime and folk music, moving into big band and jazz. With the development of mass media, local artists in North Dakota, as in the rest of the country, saw a rapid loss of opportunity to create, perform, and sell popular music to the regional audience that had previously provided a market. Although perhaps unexpected for a largely agricultural region of the nation, country music is not a major genre in the modern youth scene of North Dakota. A number of country artists who appeal to older audiences however, have emerged from the state.
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“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (1898–1979)
“If I could believe the Quakers banned music because church music is so damn bad, I should view them with approval.”
—Ezra Pound (1885–1972)
“There are no whole truths; all truths are half-truths. It is trying to treat them as whole truths that plays the devil.”
—Alfred North Whitehead (1861–1947)