The Music of North Dakota has followed general American trends over much of its history, beginning with ragtime and folk music, moving into big band and jazz. With the development of mass media, local artists in North Dakota, as in the rest of the country, saw a rapid loss of opportunity to create, perform, and sell popular music to the regional audience that had previously provided a market. Although perhaps unexpected for a largely agricultural region of the nation, country music is not a major genre in the modern youth scene of North Dakota. A number of country artists who appeal to older audiences however, have emerged from the state.
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“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“The Anglo-Saxon hive have extirpated Paganism from the greater part of the North American continent; but with it they have likewise extirpated the greater portion of the Red race. Civilization is gradually sweeping from the earth the lingering vestiges of Paganism, and at the same time the shrinking forms of its unhappy worshippers.”
—Herman Melville (1819–1891)