Jazz Musicians
Several notable jazz musicians were originally from North Carolina. In the case of Thelonious Monk, (b. Rocky Mount, NC, October 10, 1917) the North Carolina connection is slight, as Monk's family moved to Manhattan when Monk was four. John Coltrane (b. Hamlet, NC, September 23, 1926) spent most of his childhood in High Point, NC, before moving to Philadelphia when he was sixteen. Bebop pioneer Max Roach was born in Newland, North Carolina, but like Monk, moved with his family to New York City when he was four. Other jazz musicians from North Carolina include guitarist Tal Farlow (b. Greensboro, NC, 6/7/21), considered one of the top players during the 1950s. Hard-bop saxophonists Lou Donaldson (b. Badin, NC, 11/1/26) and Tina Brooks (b. Fayetteville, NC, 6/7/32) were originally North Carolinians. Hard-bop trumpeter Woody Shaw (b. Laurinburg, NC, 12/24/44), pianist Billy Taylor (b. Greenville, NC, 7/24/21), pianist and singer dubbed the "High Priestess of Soul" Dr.Nina Simone (b.Tryon, NC, 2/21/33) and bassist Percy Heath (b. Wilmington, NC, 4/30/23) were born in the state as well. South Carolinian Dizzy Gillespie grew up just over the state line and attended school at the Laurinburg Institute in North Carolina. Jazz composer and arranger Billy Strayhorn spent some of his summers in Hillsborough, NC with his grandparents.
Read more about this topic: Music Of North Carolina
Famous quotes containing the words jazz and/or musicians:
“He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co- ordinate grid system laid over it. The instructor could point to different parts of her and say, Give me the co-ordinates.... The Major could see every unit in the Army using his idea.... Hot dog!”
—Norman Mailer (b. 1923)
“As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.”
—Marcel Proust (18711922)