Music Of North Carolina
North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers helped solidify the sound of country music in the late 1920s, while influential bluegrass musicians such as Earl Scruggs, Doc Watson and Del McCoury came from North Carolina. Arthur Smith is the most notable North Carolina musician/entertainer who had the first nationally syndicated television program which featured country music. Arthur Smith composed Guitar Boogie the all time best selling guitar instrumental and Dueling Banjos the all time best selling banjo composition. Both North and South Carolina are a hotbed for traditional rural blues, especially the style known as the Piedmont blues.
As a college region, the Chapel Hill-Raleigh-Durham area (collectively known as the Triangle) has long been a well-known center for rock, metal, punk and hip-hop. Bands from this popular music scene include Flat Duo Jets, Corrosion of Conformity, Superchunk, Archers of Loaf, The Rosebuds, Love Language, Tift Merritt, Ben Folds Five, Squirrel Nut Zippers, Carolina Chocolate Drops, Lords of the Underground, The Apple Juice Kid, Between the Buried and Me, Foreign Exchange, The Justus League and Little Brother.
Read more about Music Of North Carolina: Early Black String Band Music, Gospel Music, Piedmont Blues, Jazz Musicians, Chapel Hill Rock, Punk Rock and Metal, Hip-hop
Famous quotes containing the words music of, music, north and/or carolina:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“We may live without poetry, music and art;
We may live without conscience, and live without heart;
We may live without friends; we may live without books;
But civilized man cannot live without cooks.”
—Owen Meredith (1831–1891)
“The North American system only wants to consider the positive aspects of reality. Men and women are subjected from childhood to an inexorable process of adaptation; certain principles, contained in brief formulas are endlessly repeated by the press, the radio, the churches, and the schools, and by those kindly, sinister beings, the North American mothers and wives. A person imprisoned by these schemes is like a plant in a flowerpot too small for it: he cannot grow or mature.”
—Octavio Paz (b. 1914)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)