Work
Zimunya's poetry deals with the beauty of Zimbabwe, but also with its poverty and history of suffering, and with urban alienation from spiritual heritage. Most of his published work is in English, but he also writes in Shona.
Zimunya began publishing poems when he was still at school, in literary journals like Two-Tone and Chirimo. His early poetry often revealed an imaginative appreciation of the beauty of nature. While his collection Thought Tracks (1982) represents a generation that felt marginalized by colonialism, Kingfisher, Jikinya and other poems, published in the same year, is a celebration of love and nature.
Country Dawns and City Lights (1985) takes a disillusioned look at the idealization of rural life, while also confronting the difficulties faced by the urban dweller. Perfect Poise (1993) and Selected Poems (1995) are collections that contain both the lyricism of his earlier work and the cynical perspective of the critic.
Zimunya has published one collection of short stories, Nightshift (1993), and a volume of literary criticism. His work has also been published in British and Amerikan anthologies, in Kizito Muchemwas Zimbabwean Poetry in English (1978), and in the collection he co-edited with Mudereri Khadani, And Now the Poets Speak (1981).
In the afterword to the Serbian/English version of his Collected Poems in 1995, Zimunya described his poetry thus: When you read these poems, it is my cherished hope that you will gain some insight… into the brutality of colonialism, the vagaries of growing up permanently dispossessed in a racially structured society, the tortuous quest for reconciliation of a shattered old culture with a hostile and spiritless new world cultivated to disadvantage the African and… the undying quest for harmony with nature… And then also you may wonder about the chaos artistic rhythms and traditions forever tussling for my creative attention.
Read more about this topic: Musaemura Zimunya
Famous quotes containing the word work:
“Which is more important to you, your field or your children? the department head asked. She replied, Thats like asking me if I could walk better if you amputated my right leg or my left leg.”
—Anonymous Parent. As quoted in Women and the Work Family Dilemma, by Deborah J. Swiss and Judith P. Walker, ch. 2 (1993)
“Art should exhilarate, and throw down the walls of circumstance on every side, awakening in the beholder the same sense of universal relation and power which the work evinced in the artist, and its highest effect is to make new artists.”
—Ralph Waldo Emerson (18031882)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (18031882)