Themes
Mr. Nobody is a tale about choice. Nemo, a nine-year-old boy, has been thrust into a position where he must make an impossible decision – to choose between his mother and father. In the seconds preceding the rest of his life he wonders where each choice will take him. The forces of the universe working to bring about total chaos are counteracted by this boy's overactive imagination. The dilemma that causes the film's main problem (not knowing the future) once solved makes it all the more difficult – "I don't know the future, therefore I cannot make a decision. Now that I know the future I still cannot make one." The eloquent interplay between philosophical lifestyle and what forges reality, is epitomized by the constant change in storyline, between young boy, adolescent man, and mature man. The film takes a four-dimensionalists view of the nature and existence of life in the universe. Each decision thus branching off creating an entirely separate alternative universe. Mr. Nobody raises many ontological arguments about the subjective nature of time. How actions have universal consequences, how the past inevitably shapes the future in a very impacting way – every single choice, no matter its simplicity or complexity can make, alter or change a lifetime.
The film also makes substantial use of chaos theory, string theory and the butterfly effect to accentuate the lack of control humanity as individuals possess. Often at each stage of his life there is a scene where Nemo is subject to the whims of chance, often plunging into water, a place where humans lack all control. This is a visual symbol of the powerlessness attributed to the human condition. The theories are used to compound reality in the film, it is why the smoke never goes back into the cigarette, time is always moving in one direction. At the end when it assumes that the universe is on the precipice of ultimate chaos, time halts, and it begins to reverse. Thus signalling the absolute freedom Nemo had been seeking – being able to live a life without choice, for while you never choose all things remain possible. The tale of Nemo Nobody reflects a life of choices, whether or not we made the correct choice and what would happen if we could go back and change them. In the reveal Mr. Nobody age 118 states that it doesn't matter what we choose, because each choice, once made has just as much significance as any alternate choice. The film portrays a life where we are all subject to chance, to the dimensions by which we construct our reality (height, length, width and time), and to the imagination of our former selves. And once the boy Nemo knows the outcomes of either choice, he instinctively opts for another.
The different colors used in the film have symbolic meanings. Each of the three main storylines has its own unique hue that highlights their originality and unlikeness to each other. Color differentiation can be traced as far back as Nemo's childhood, where three girls sit on a bench. They are his possible future wives: Jeanne, Elise and Anna; one in yellow, the other in blue, the third in a red dress. In his life with Elise, Nemo experiences the consequences of depression and despair, themes associated with the color blue. Choosing Jeanne, Nemo seeks material well-being and independence: yellow – the color of life and wealth – emphasizes this. The true love and passionate relationship between Nemo and Anna is symbolized by the red color of Anna's dress. It is noteworthy that the unborn Nemo is shown living in a white world. White contains all colors of the visible spectrum; this supports the allegorical message of the film that all things are possible until a choice is made. By the end of his life Nemo is a decrepit old man and lives in a white surrounding (room, clothes, doctor). This way we can see that the fate of the protagonist leads him back to the origins from where he started, the point at which everything is possible.
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