Mr. Blandings Builds His Dream House (1948) is an American comedy film directed by H. C. Potter and starring Cary Grant and Myrna Loy. The film was written and produced by the team of Melvin Frank and Norman Panama, and was an adaptation of Eric Hodgins' popular 1946 novel, illustrated by William Steig.
The film was a box office hit upon its release, and has remained a popular film through cable television broadcasts and the home video market. Warner Home Video released the film to DVD with restored and remastered audio and video in 2004. In 1986 the novel was adapted for film again for the Tom Hanks movie The Money Pit, and in 2007 a loose remake of the 1948 film was released under the title Are We Done Yet?
The house built for the 1948 film still stands on the old Fox Ranch property in Malibu Creek State Park in the hills a few miles north of Malibu. It is used as an office for the Park. Coordinates: 34°5′41.4″N 118°42′43.63″W / 34.094833°N 118.7121194°W / 34.094833; -118.7121194
Read more about Mr. Blandings Builds His Dream House: Plot, Reception, Cast, Promotion, Related Works, Remakes
Famous quotes containing the words builds and/or dream:
“The question has been asked, “What is a woman?” A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices. You cannot even simply become a mother anymore. You must choose motherhood. Will you choose change? Can you become its vanguard?”
—Eleanor Holmes Norton (b. 1937)
“The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his camera—and himself.”
—Daniel J. Boorstin (b. 1914)