Moves in The Field

Moves in the field is a name given to elements of figure skating that emphasize basic skating skill and edge control. In the context of a competitive program, 'moves in the field' include spirals, spread eagles, Ina Bauers, hydroblading, and similar extended edge moves.

In the United States, moves in the field also refers to skill tests consisting of progressively more difficult edge and step patterns. Similar concepts are called field moves in the United Kingdom and skating skills in Canada. Following the abolition of compulsory figures from international competition in 1990, figure skating federations in several countries developed these drills to teach the same elements as compulsory figures within a free skating format. Whereas skaters formerly learned advanced turns such as brackets, rockers, and counters by doing them in compulsory figures, now those elements are taught in the context of standard step sequences with an emphasis on power, carriage, and flow, rather than on tracing precise patterns on the ice.

U.S. Figure Skating requires each skater to pass a "Moves in the Field" test, as well as a free skating or free dance test, in order to qualify for the various levels of competition. Skaters must perform each field move in the specified pattern while demonstrating adequate power, quickness, edge control, and extension throughout the pattern to be accepted into the level.

Famous quotes containing the words moves and/or field:

    And if I pray, the only prayer
    That moves my lips for me
    Is—‘Leave the heart that now I bear,
    And give me liberty.’
    Emily Brontë (1818–1848)

    The woman ... turned her melancholy tone into a scolding one. She was not very young, and the wrinkles in her face were filled with drops of water which had fallen from her eyes, which, with the yellowness of her complexion, made a figure not unlike a field in the decline of the year, when the harvest is gathered in and a smart shower of rain has filled the furrows with water. Her voice was so shrill that they all jumped into the coach as fast as they could and drove from the door.
    Sarah Fielding (1710–1768)