Characters
- Mork (Robin Williams) - An alien from the planet Ork sent to observe human behavior. It was mentioned many times by Mork that he was grown from a test tube by the Orkan scientists.
- Mindy McConnell (Pam Dawber) - A female human who finds Mork and teaches him about human behavior. Eventually falls in love, gets married to Mork and raise an Orkan "child".
- Fred McConnell (Conrad Janis) - Mindy's father with conservative values. In the first season, Fred owned a music shop with Cora. In the third season, Fred became the conductor of the Boulder Symphony Orchestra.
- Grandma Cora Hudson (Elizabeth Kerr) - Mindy's less-conservative, progressive grandmother.
- Franklin Bickley (Tom Poston) - Mindy's downstairs neighbor. He has a job of writing out greeting cards.
- Mearth (Jonathan Winters) - "Child" of Mork and Mindy. Due to Orkan Physiology, Orkans age backwards starting with elderly adult bodies but with the mind of a child and regressing to feeble "old" young kids.
- Remo Davinci (Jay Thomas) - He is the co-owner of The New York Delicatessen.
- Jean Davinci (Gina Hecht) - Sister of Remo Davinci and the co-owner of The New York Delicatessen.
- Nelson Flavor (Jim Staahl) - He is the straight-laced cousin of Mindy with dreams of political power.
- Orson (voiced by Ralph James) - Mork's mostly-unseen and long-suffering superior who has sent Mork to Earth to get him off Ork due to the fact humor is not permitted on Ork.
Read more about this topic: Mork & Mindy
Famous quotes containing the word characters:
“Thus we may define the real as that whose characters are independent of what anybody may think them to be.”
—Charles Sanders Peirce (1839–1914)
“White Pond and Walden are great crystals on the surface of the earth, Lakes of Light.... They are too pure to have a market value; they contain no muck. How much more beautiful than our lives, how much more transparent than our characters are they! We never learned meanness of them.”
—Henry David Thoreau (1817–1862)
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)