Money For Nothing (song) - Musical and Lyrical Themes

Musical and Lyrical Themes

The recording contains a very recognizable hook, in the form of the guitar riff that begins the song proper. (The song is also notable for its extended overture, which was shortened for radio and music video). The guitar riff continues throughout the song, played in muted permutation during the verses, and played in full after each chorus.

The song's lyrics are written from the point of view of a working-class man watching music videos and commenting on what he sees.

Mark Knopfler described the writing of the song in a 1984 interview with critic Bill Flanagan:

The lead character in "Money for Nothing" is a guy who works in the hardware department in a television/​custom kitchen/​refrigerator/​microwave appliance store. He's singing the song. I wrote the song when I was actually in the store. I borrowed a bit of paper and started to write the song down in the store. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real....

In 2000, Knopfler appeared on Michael Parkinson's interview program and explained again where the lyrics originated. According to Knopfler, he was in New York and stopped by an appliance store. At the back of the store, they had a wall of TVs which were all tuned to MTV. Knopfler said there was a man working there dressed in a baseball cap, work boots, and a checkered shirt delivering boxes who was standing next to him watching. As they were standing there watching MTV, Knopfler remembers the man coming up with classic lines such as "what are those, Hawaiian noises?...that ain't workin'," etc. Knopfler asked for a pen to write some of these lines down and then eventually put those words to music.

Read more about this topic:  Money For Nothing (song)

Famous quotes containing the words musical and/or themes:

    If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.
    Henry David Thoreau (1817–1862)

    In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.
    Barbara Ehrenreich (b. 1941)