Differences Between Comic Strip and Books
Although the books generally reflect the characters previously established in the comic strip, there are a number of detail differences. One example of this is how Modesty is initially recruited to work for Sir Gerald Tarrant - although the strip story La Machine (1963) and the book story Modesty Blaise (1965) have similarities, and in both Tarrant achieves his aim by putting her under an obligation, in the strip story this relates to the validity of her marriage (and therefore her right to British nationality and residence) while in the book he provides her with information that enables her to rescue Willie Garvin and save his life. The name of her husband is given in the strip, with the marriage taking place in 1960 and him dying in 1961; in the novel he is unnamed and the marriage took place in 1962.
There are also cases where characters first appear in the books and then subsequently appear in the comic strip - Steve Collier first appears in I Lucifer (1967) and his future wife Dinah in A Taste for Death (1969) but they do not appear in the strip until Lady in the Dark (1989).
Read more about this topic: Modesty Blaise
Famous quotes containing the words differences between, differences, comic, strip and/or books:
“The differences between revolution in art and revolution in politics are enormous.... Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.”
—Harold Rosenberg (1906–1978)
“Toddlerhood resembles adolescence because of the rapidity of physical growth and because of the impulse to break loose of parental boundaries. At both ages, the struggle for independence exists hand in hand with the often hidden wish to be contained and protected while striving to move forward in the world. How parents and toddlers negotiate their differences sets the stage for their ability to remain partners during childhood and through the rebellions of the teenage years.”
—Alicia F. Lieberman (20th century)
“Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true and false but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.”
—Marie Collins Swabey. Comic Laughter, ch. 7, Yale University Press (1961)
“Here we’ll strip and cool our fire
In cream below, in milk-baths higher;
And when all wells are drawn dry,
I’ll drink a tear out of thine eye.”
—Richard Lovelace (1618–1658)
“When I am dead, I hope it may be said:
‘His sins were scarlet, but his books were read.’”
—Hilaire Belloc (1870–1953)