Modesty Blaise - Differences Between Comic Strip and Books

Differences Between Comic Strip and Books

Although the books generally reflect the characters previously established in the comic strip, there are a number of detail differences. One example of this is how Modesty is initially recruited to work for Sir Gerald Tarrant - although the strip story La Machine (1963) and the book story Modesty Blaise (1965) have similarities, and in both Tarrant achieves his aim by putting her under an obligation, in the strip story this relates to the validity of her marriage (and therefore her right to British nationality and residence) while in the book he provides her with information that enables her to rescue Willie Garvin and save his life. The name of her husband is given in the strip, with the marriage taking place in 1960 and him dying in 1961; in the novel he is unnamed and the marriage took place in 1962.

There are also cases where characters first appear in the books and then subsequently appear in the comic strip - Steve Collier first appears in I Lucifer (1967) and his future wife Dinah in A Taste for Death (1969) but they do not appear in the strip until Lady in the Dark (1989).

Read more about this topic:  Modesty Blaise

Famous quotes containing the words differences between, differences, comic, strip and/or books:

    What strikes many twin researchers now is not how much identical twins are alike, but rather how different they are, given the same genetic makeup....Multiples don’t walk around in lockstep, talking in unison, thinking identical thoughts. The bond for normal twins, whether they are identical or fraternal, is based on how they, as individuals who are keenly aware of the differences between them, learn to relate to one another.
    Pamela Patrick Novotny (20th century)

    The differences between revolution in art and revolution in politics are enormous.... Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.
    Harold Rosenberg (1906–1978)

    Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.
    C. Wright Mills (1916–62)

    Here we’ll strip and cool our fire
    In cream below, in milk-baths higher;
    And when all wells are drawn dry,
    I’ll drink a tear out of thine eye.
    Richard Lovelace (1618–1658)

    There are books ... which take rank in your life with parents and lovers and passionate experiences, so medicinal, so stringent, so revolutionary, so authoritative.
    Ralph Waldo Emerson (1803–1882)