Model Animation - Works

Works

Model animation was pioneered by Willis O'Brien, and it was first used in The Lost World (1925). His work also includes

  • King Kong (1933)
  • The Son of Kong (1933)
  • Mighty Joe Young (1949)
  • The Black Scorpion (1957)
  • The Giant Behemoth (1958)

Picking up the model animation baton from O'Brien, and refining the process further, introducing color and smoother animation, was his protégé, Ray Harryhausen. Assisting O'Brien in Mighty Joe Young in 1949, Harry went on to do model animation (and other special visual effects) on a series of feature length films, such as:

  • The Beast From 20,000 Fathoms (1953)
  • It Came from Beneath the Sea (1955)
  • Earth vs. the Flying Saucers (1956)
  • The Animal World (Opening Dinosaur sequence, with O'Brien, 1956)
  • 20 Million Miles To Earth (1957)
  • The 7th Voyage of Sinbad (1958)
  • The Three Worlds of Gulliver (1960)
  • Mysterious Island (1961)
  • Jason and the Argonauts (1963)
  • First Men in the Moon (1964)
  • One Million Years B.C. (1967)
  • The Valley of Gwangi (1969)
  • The Golden Voyage of Sinbad (1974)
  • Sinbad and the Eye of the Tiger (1977)
  • Clash of the Titans (with Jim Danforth, 1981)

The third generation of model animators featured such notables as Jim Danforth, David Allen, and Phil Tippett.

Read more about this topic:  Model Animation

Famous quotes containing the word works:

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)

    “The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
    —William James (1842–1910)

    “Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
    —Henry David Thoreau (1817–1862)