Career
Freni was born into a working-class family; her mother and tenor Luciano Pavarotti's mother worked together and an aunt was the soprano Valentina Bartolomasi. She was a musically gifted child, and when 10 years old sang "Un bel dì vedremo" in a radio competition; the tenor Beniamino Gigli warned her, however, that she risked ruining her voice and advised her to give up singing until she was older. She resumed singing at the age of 17.
Freni made her operatic debut in Modena in 1955, when 19 years old, as Micaëla in Bizet's Carmen. She later married her teacher, the piano player and director Leone Magiera, resuming her career in 1958 when she performed Mimì in Puccini's La bohème at the Teatro Regio in Turin, and sang in The Netherlands Opera 1959-60 season. Her international breakthrough came at Glyndebourne, where she sang as Adina in Franco Zeffirelli's staging of Donizetti's L'elisir d'amore; in the Glyndebourne 1960-62 season she sang the Mozart comic roles of Susanna in Le nozze di Figaro and Zerlina in Don Giovanni.
In 1961, Freni made her Royal Opera House debut as Nannetta in Verdi's Falstaff, and in 1963, her La Scala debut also as Nanetta; Freni went on to become one of Herbert Von Karajan's favourite singers, working with him in operas and concerts. In 1965 she made her Metropolitan Opera debut as Mimì, and later appeared there as Liù in Puccini's Turandot and Marguerite in Faust; her Juliette in Roméo et Juliette ran for 139 performances. The following year she sang Mimì again for her Philadelphia Lyric Opera Company debut, with Flaviano Labò as Rodolfo.
From the early 1970s into the 1980s Freni sang heavier Verdi roles, particularly Elisabetta in John Dexter's production of Don Carlo, Desdemona in Otello (opposite Jon Vickers), Amelia in Simon Boccanegra, Elvira in the Luca Ronconi staging of Ernani, Leonora in La forza del destino, only on record, and the title role of Aida. She also added the Puccini heroines of Manon Lescaut and Tosca, also only on record to her repertoire, and recorded Madama Butterfly and the three roles of Il trittico.
Freni starred in the 1975 film Madama Butterfly opposite Plácido Domingo, with von Karajan conducting and Jean-Pierre Ponnelle directing, and in 1976, played Susanna in the Ponnelle film Le nozze di Figaro, which also featured Dietrich Fischer-Dieskau, Dame Kiri Te Kanawa and Hermann Prey.
In 1978 she married Nicolai Ghiaurov, one of the leading operatic basses of the post-war period. Together they helped to establish the Centro Universale del Bel Canto in Vignola, where they began giving master classes in 2002. Following Ghiaurov's death in 2004, Freni continued their work of preserving the Bel Canto tradition, and currently teaches young singers from around the world.
Freni extended her repertoire and style during the 1990s with Italian Verismo, taking on the title roles of Cilea's Adriana Lecouvreur in Milan, Paris, Barcelona and New York, and Giordano's Fedora in London, Milan, New York, Torino, Barcelona and Zürich. In 1998, she performed Giordano's Madame Sans-Gêne in Catania. During this time she sang in the Russian operas of Tchaikovsky, appearing as Tatiana in Eugene Onegin, Lisa in The Queen of Spades, and Ioanna in The Maid of Orleans.
Mirella Freni ended her professional career on stage with The Maid of Orleans at the Washington National Opera on 11 April 2005, performing the teenager Ioanna (Joan of Arc) at 70 years of age.
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