Imperial Succession Poem
Minh Mạng had many wives and children, he decided to name his descendants (Nguyễn Phước or Nguyễn Phúc: all members of the Nguyễn Dynasty) by choosing the Middle name following the words of the Imperial succession poem to avoid confusion. For boys, the following poem is shown in Chữ Quốc Ngữ (modern Vietnamese script) and in chữ nôm:
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The meaning of each name is roughly given as follows:
| Name | Meaning |
|---|---|
| Miên | respecting above all the rules of life, such as meeting and parting, life and death (trường cửu phước duyên trên hết) |
| Hồng | building a harmonious family (oai hùng đúc kết thế gia) |
| Ưng | establishing a prosperous country (nên danh xây dựng sơn hà) |
| Bửu | being helpful and caring toward the common people (bối bâu lợi tha quần chúng) |
| Vĩnh | having a good reputation (bền khí hùng ca anh tụng) |
| Bảo | being courageous (ôm lòng khí dũng bình sanh) |
| Quý | being elegant (cao sang vinh hạnh công thành) |
| Định | being decisive (tiền quyết thi hành oanh liệt) |
| Long | having a typically royal appearance (vương tướng rồng tiên nối nghiệp) |
| Trường | being long-lasting (Vĩnh cửu nối nghiệp nối dòng) |
| Hiền | being humane (tài đức phúc âm soi sáng) |
| Năng | being talented (gương soi khuôn phép bờ cõi) |
| Kham | being hard-working and versatile (đảm đương mọi cơ cấu giỏi) |
| Kế | being well-organized (hoạch sách mây khói cân phân) |
| Thuật | being truthful in speech (biên chép lời đúng ý dân) |
| Thế | being faithful to the family (mãi thọ cận thân gia tộc) |
| Thoại | being wealthy (ngọc quý tha hồ phước tộc) |
| Quốc | (dân phục nhắm gốc giang sanc) |
| Gia | being well-established (muôn nhà Nguyễn vẫn huy hoàng) |
| Xương | bringing prosperity to the world (Phồn thịnh bình an thiên hạ) |
Girls receive also a different name on each generation, for example: Công-Chúa, Công-Nữ, Công Tôn-Nữ, Công-Huyền Tôn-Nữ, Lai-Huyền Tôn-Nữ.
Read more about this topic: Minh Mang
Famous quotes containing the words imperial, succession and/or poem:
“If you are ambitious of climbing up to the difficult, and in a manner inaccessible, summit of the Temple of Fame, your surest way is to leave on one hand the narrow path of Poetry, and follow the narrower track of Knight-Errantry, which in a trice may raise you to an imperial throne.”
—Miguel De Cervantes (1547–1616)
“What is this world of ours? A complex entity subject to sudden changes which all indicate a tendency to destruction; a swift succession of beings which follow one another, assert themselves and disappear; a fleeting symmetry; a momentary order.”
—Denis Diderot (1713–1784)
“Every poem of value must have a residue [of language].... It cannot be exhausted because our lives are not long enough to do so. Indeed, in the greatest poetry, the residue may seem to increase as our experience increases—that is, as we become more sensitive to the particular ignitions in its language. We return to a poem not because of its symbolic [or sociological] value, but because of the waste, or subversion, or difficulty, or consolation of its provision.”
—William Logan, U.S. educator. “Condition of the Individual Talent,” The Sewanee Review, p. 93, Winter 1994.