Influence
Influence in Japan
The Japanese Zen monk painter Sesshū Tōyō (Japanese: 雪舟等楊) travelled to Ming China, and stayed for about 10 years in Ming China learning painting. He was heavily influenced by the ink and wash painting, Zhejiang School of painting and the Yuanti School of painting.
He resided in Tiantong Temple (Chinese: 天童寺) in Mingzhou (明州, now Ningbo), and also spent time in Beijing in the royal palace (Forbidden City). Before he went to Ming China, he studied Song and Yuan styles of painting (Chinese/Japanese: 宋元山水畫派) in Japan, and wanted to seek for the very origin of the Chinese painting and the real spirit inside of the Chinese art.
After returning to Japan, Sesshū Tōyō set up his school and further developed his own style of painting (漢畫派), a style mixed with the Japanese native traditional elements, and became the most celebrated master of painting in his era in Japan, continuing to heavily affect Japanese history to the present day.
Influence in Qing Dynasty painting
Ming Dynasty painting provided the basis for early Qing Dynasty painting, from skills, style, subjects and theoretical basis. The concept of Northern and Southern Schools, developed by Dong Qichang in the late Ming period, influenced the more academic formal painters, such as Wang Yuanqi well as providing an inspiration for daring originality for the "Individualist" painters, such as Kun Can and Shitao.
Read more about this topic: Ming Dynasty Painting
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