Culture and Community
Millom Palladium (a theatre, bar and full multi-functional venue) is a historic part of the town. Completed in 1911, it has stood on the site for over 100 years. This locally treasured building and entertainments venue is home to Millom Amateur Operatic Society (MAOS) and has been saved from demolition as part of redevelopment plans and is currently an on-going project run and managed by a registered charity and group of volunteers with hopes to re-instate the cinema facility within the building. The facility currently hosts music festivals and can be hired for weddings, balls, private parties etc. It has a full in-house 30KW PA with independent on stage monitor mixing and a full theatre Lighting system.
The Beggar's Theatre is a multi-function arts base with several activities, performing-arts based, for local talent and provides a venue for touring theatres, stand-up comedians etc. Run by Jakki Moore, the venue also offers a series of drama, dance and drumming workshops for children. They put on a summer arts festival every year.
Millom Network Centre, based in the grounds of Millom School, offers adult education, business and public meeting space, and other business services.
The Norman Nicholson Society promotes and explores the work of the town's most famous son, the writer Norman Nicholson, who spent his whole life in the town.
The town also has organisations providing services for the elderly in a number of venues. A number of sports organisations operate in the town; notably rugby and cricket as well as a thriving judo club. For the less physically active, a chess club exists as does a Scrabble club.
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Famous quotes containing the words culture and, culture and/or community:
“The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But you’d never know it by talking to kids or listening to the messages they get from the culture and even from their schools.”
—Anna Quindlen (b. 1953)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)
“... no community where more than one-half of the adults are disfranchised and otherwise incapacitated by law and custom, can be free from great vices. Purity is inconsistent with slavery.”
—Tennessee Claflin (1846–1923)