Poetry
For Unamuno, art was a way of expressing spiritual problems. His themes were the same in his poetry as in his other fiction: spiritual anguish, the pain provoked by the silence of God, time and death.
Unamuno was always attracted to traditional meters and, though his early poems did not rhyme, he subsequently turned to rhyme in his later works.
Among his outstanding works of poetry are:
- Poesías (Poems) (1907) — his first collection of poetry, in which he outlined the themes that would dominate his poetics: religious conflict, Spain, and domestic life
- Rosario de sonetos líricos (Rosary of Lyric Sonnets) (1911)
- El Cristo de Velázquez (The Christ of Velázquez) (1920) — a religious work, divided into four parts, where Unamuno analyzes the figure of Christ from different perspectives: as a symbol of sacrifice and redemption, as a reflection on his Biblical names (Christ the myth, Christ the man on the cross, Christ, God, Christ the Eucharist), as poetic meaning, as painted by Diego Velázquez, etc.
- Andanzas y visiones españolas (1922) — something of a travel book, in which Unamuno expresses profound emotion and experiments with landscape both evocative and realistic (a theme typical of his generation of writers)
- Rimas de dentro (Rhymes from Within) (1923)
- Rimas de un poeta desconocido (Rhymes from an Unknown Poet) (1924)
- De Fuerteventura a París (From Fuerteventura to Paris) (1925)
- Romancero del destierro (Ballads of Exile) (1928)
- Cancionero (Songbook) (1953, published posthumously)
Read more about this topic: Miguel De Unamuno
Famous quotes containing the word poetry:
“Poetry is essentially the antithesis of Metaphysics: Metaphysics purge the mind of the senses and cultivate the disembodiment of the spiritual; Poetry is all passionate and feeling and animates the inanimate; Metaphysics are most perfect when concerned with universals; Poetry, when most concerned with particulars.”
—Samuel Beckett (1906–1989)
“Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.”
—John Updike (b. 1932)
“Prose—it might be speculated—is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of “communication”; the other is private, allusive, teasing, sly, idiosyncratic as the spider’s delicate web, a kind of witchcraft unfathomable to ordinary minds.”
—Joyce Carol Oates (b. 1938)