Mickey Mouse Film Series
Mickey Mouse (originally Mickey Mouse Sound Cartoons) is a character-based series of animated short films produced by Walt Disney Animation Studios. The films, which introduced and star Disney's most famous cartoon character, were released on a regular basis from 1928 to 1953 with three additional installments in 1983, 1990, and 1995. Besides launching the careers of several well-known characters, the series is notable for its innovation with sound synchronization and character animation.
The name "Mickey Mouse" was first used in the films' title sequences to refer specifically to the character, but was used from 1935 to 1953 to refer to the series itself as in "Walt Disney presents a Mickey Mouse". In this sense, "a Mickey Mouse" was truncated from "a Mickey Mouse sound cartoon" which was used in the earliest films. Black-and-white films rereleased during this time also used this naming convention. Mickey's name was also used occasionally to present other films which were formally part of other film series. Examples of this include several Silly Symphonies, Don Donald (1937), and Goofy and Wilbur (1939).
Read more about Mickey Mouse Film Series: Production, List of Films, Releases
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“Mickey Mouse ... [is] always therehes part of my life. That really is something not everyone can call their claim to fame.”
—Annette Funicello (b. 1942)
“The 1950s to me is darkness, hidden history, perversion behind most doors waiting to creep out. The 1950s to most people is kitsch and Mickey Mouse watches and all this intolerable stuff.”
—James Ellroy (b. 1948)
“Why do precisely these objects which we behold make a world? Why has man just these species of animals for his neighbors; as if nothing but a mouse could have filled this crevice?”
—Henry David Thoreau (18171862)
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Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean OCasey (18841964)
“Depression moods lead, almost invariably, to accidents. But, when they occur, our mood changes again, since the accident shows we can draw the world in our wake, and that we still retain some degree of power even when our spirits are low. A series of accidents creates a positively light-hearted state, out of consideration for this strange power.”
—Jean Baudrillard (b. 1929)