Musical Style
I rely very much on my ears. If it sounds as if it's the right thing, then I'll keep it—even if it may not be.
“ ” Mick Karn, Innerview.org (1996)Karn was essentially a self-taught musician. His first musical instrument was bassoon, with which he attended and passed an LSSO audition. After his bassoon was stolen from him, he purchased a bass guitar for ₤5. It was then he joined up with David Batt (Sylvian), who played acoustic guitar.
Karn was principally the bassist within Japan, but also played all the wind instruments, including the saxophone; on Tin Drum, he played the Chinese suona (credited as 'dida') for the authentic oriental sound. Karn's use of the fretless bass guitar, an unusual instrument in modern popular music, produces a distinctive sound and playing style, which makes his playing immediately recognisable.
Karn played an aluminium-neck Travis Bean bass on all Japan albums up to Gentlemen Take Polaroids. In 1981 he moved to Wal basses, purchasing two Mark I instruments, one with rare African tulipwood facings, the other a cherry solidbody. Karn recorded Japan's last studio album Tin Drum with the Wal and had continued to use these, along with a headless Klein 'K Bass'.
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