Michael Whelan - Published Art Collections

Published Art Collections

  • Something in My Eye, (1997) (poster book) ISBN 0-929480-82-1
  • The Art of Michael Whelan: Scenes/Visions, (1993) ISBN 0-553-07447-4
  • Michael Whelan's Works of Wonder, (1988) ISBN 0-345-32679-2
  • Wonderworks: Science Fiction and Fantasy Art, (1979) Donning/Starblaze, ISBN 0-915442-74-4
  • Infinite Worlds: The Fantastic Visions of Science Fiction Art, Vincent Di Fate (author), ISBN 978-0-670-87252-7
  • The Biographical Dictionary of SF & Fantasy Artists, Robt. Weinberg, ed., 1988
  • Sorcerors – A Collection of Fantasy Art (1978), Bruce Jones and Armand Eisen editors, Library of Congress catalog # 78-55600, ISBN 0-27626-4
  • Tomorrow And Beyond – Masterpieces of Science Fiction Art (1978), edited by Ian Summers ISBN 0-89480-055-8
  • SPECTRUM – The Best in Contemporary Fantastic Art (1994), edited by Cathy and Arnie Fenner, ISBN 0-88733-188-2
  • The Chesley Awards – A Retrospective (2003), by John Grant and Elizabeth Humphrey, with Pamela D. Scoville ISBN 1-904332-10-2
  • The Frank Collection (1999), Edited by Jane and Howard Frank, ISBN 1-85585-732-4
  • SPECTRUM 15 – The Best in Contemporary Fantastic Art (2008), edited by Cathy and Arnie Fenner, ISBN 1-59929-027-8

Read more about this topic:  Michael Whelan

Famous quotes containing the words published, art and/or collections:

    “For with this desire of physical beauty mingled itself early the fear of death—the fear of death intensified by the desire of beauty.”
    —Walter Pater 1839–1894, British writer, educator. originally published in Macmillan’s Magazine (Aug. 1878)

    “Such is the art of writing as Dreiser understands it and practices it—an endless piling up of minutiae, an almost ferocious tracking down of ions, electrons and molecules, an unshakable determination to tell it all. One is amazed by the mole-like diligence of the man, and no less by his exasperating disregard for the ease of his readers.”
    —H.L. (Henry Lewis)

    “Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.”
    —Sébastien-Roch Nicolas De Chamfort (1741–1794)