Film and Television Work
In early 1987 Stipe co-founded C00 Films with Jim McKay, a mixed-media company that was "designed to channel its founder's creative talents towards the creation and promotion of alternative film works." Stipe and his producing partner, Sandy Stern, have served as executive producers on films including Being John Malkovich, Velvet Goldmine, and Man on the Moon. He was also credited as a producer of the 2004 film Saved!.
In 1998 he worked on Single Cell Pictures, a film production company which released several arthouse / indie movies.
Stipe has made a number of acting appearances on film and on television. Stipe appeared in an episode of The Adventures of Pete & Pete as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on Sesame Street playing a reworked version of "Shiny Happy People" called "Furry Happy Monsters", and appeared in an episode of The Simpsons titled "Homer the Moe", where R.E.M. was tricked into playing a show in Homer Simpson's garage. He also appeared as a guest on the Cartoon Network talk show spoof Space Ghost Coast to Coast in the episode 'Hungry'. More recently, Stipe has made several short appearances on The Colbert Report, playing himself.
Stipe voiced Schnitzel the Reindeer in the 1999 movie Olive, the Other Reindeer.
Read more about this topic: Michael Stipe
Famous quotes containing the words film, television and/or work:
“Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (1882–1971)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)