Film and Television
McKean quickly became a recognizable name in film and television, with appearances in films such as Used Cars (1980), Clue (1985), Planes, Trains and Automobiles (1987), Earth Girls Are Easy (1988), the film adaptation of Memoirs of an Invisible Man (1992), Coneheads (1993), and Radioland Murders (1994). He also had guest roles on such shows as Murder, She Wrote, Murphy Brown, Lois and Clark: The New Adventures of Superman, and Caroline in the City. McKean was part of an ensemble cast in the short-lived television series Grand on NBC which aired in 1990.
Having already appeared as a musical guest and then host of Saturday Night Live, McKean joined the cast in 1994 and remained a cast member until 1995. At 46, he was the oldest person ever to join the Saturday Night Live cast, and the only person to be a musical guest, host, and cast member in that order. During this time, he also released a video follow up to Spinal Tap, played the villainous Mr. Dittmeyer in The Brady Bunch Movie, and played the boss Gibby in the HBO series Dream On. After leaving Saturday Night Live, McKean spent a lot of time doing children's fare, voicing various TV shows and movies. In 1999, with two children from a previous marriage (to Susan Russell, from 1970 to 1993) McKean married Annette O'Toole.
Read more about this topic: Michael McKean
Famous quotes containing the words film and/or television:
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)