Popular Culture
The Mesabi Range was brought to public attention by the 2005 film North Country, which depicts a fictionalized version of the events surrounding Jenson v. Eveleth Taconite Co., a sexual harassment, class-action lawsuit that female miners brought against a Mesabi Range mining company.
The range is also featured in the song "Youngstown", by Bruce Springsteen, from his 1995 album The Ghost of Tom Joad:
- From the Monongahela valley, to the Mesabi Iron Range –
- To the coal mines of Appalachia, the story's always the same.
Bruce lifted the two lines of the above lyric from the opening voice-over by Gregory Peck in the 1945 movie 'Valley of Decision' set in a Pennsylvania steel town http://en.wikipedia.org/wiki/The_Valley_of_Decision
Mesabi is the title song of a 2011 album by Tom Russell: "Some things never change on the Mesabi iron range . . . Bethlehem of the Troubadour Kid (Dylan - see above)"
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Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“You are, I am sure, aware that genuine popular support in the United States is required to carry out any Government policy, foreign or domestic. The American people make up their own minds and no governmental action can change it.”
—Franklin D. Roosevelt (18821945)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)