In Popular Culture
- Owing to the expanding postwar economy and family, ownership began offering tours in 1948. Architecture and design interest groups continue to offer scheduled tours.
- Movies and TV shows are frequently filmed on the Wells Street Bridge and underneath the elevated tracks on Franklin.
- Chicago Marathon routes have taken runners past the structure, typically on Wells Street.
- The Mart hosts the annual Art Chicago activities.
- In the opening credits of the 1970s television sitcom Good Times, the building is depicted prior to renovation and revitalization.
- The 1948 film Call Northside 777, was made in Illinois and the Mart is seen from newspaper offices on Wacker Drive.
- The lobby appeared in the movie The Hudsucker Proxy as the interior of the Hudsucker Company headquarters.
- In 1956, the eight-minute short subject film The Merchandise Mart used the Mart's name and covered in detail the building's interior and operations.
- David Letterman once called the Merchandise Mart Hall of Fame "the Pez Hall of Fame" because the combination of busts atop the tall vertical pedestals resembled the candy's dispensers.
- In the 1993 film The Fugitive, the location of Harrison Ford's character is pinpointed by police when they hear a CTA train operator announce, "Next stop, Merchandise Mart" in the background of a recorded phone call.
Read more about this topic: Merchandise Mart
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“The best of us would rather be popular than right.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
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