Criticism
The University of Melbourne introduced the Melbourne Curriculum (then titled the Melbourne Model) officially in 2008. By the end of the academic year it was reported that administration had admitted to some subjects being either too broad or too narrow and the need for a reassessment on the curriculum. A leaked document revealed the University of Melbourne will have spent $11.6 million on marketing for the Melbourne Curriculum by the end of 2008, followed by another $16 million by the end of 2010. The university's "Dream Large" slogan has since been a source of ongoing ridicule by some University of Melbourne students and students have even called for the sacking of Davis as Vice-chancellor over the curriculum changes. Students initially disrupted the official 2007 launch of the Melbourne Curriculum which has been followed by various demonstrations and student occupations against the Melbourne Curriculum and the university in general. However, data show that since the consolidation of the Melbourne Curriculum, the University has been placed top in Australia and 28th in the world by the authoritative Times Higher Education ranking.
Read more about this topic: Melbourne Model
Famous quotes containing the word criticism:
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (1817–1862)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)