Print Media
Newspaper publishing started in Chennai with the launch of a weekly, The Madras Courier, in 1785. It was followed by the weeklies The Madras Gazzette and The Government Gazzette in 1795. The Spectator, founded in 1836, was the first English newspaper in Chennai to be owned by an Indian and became the city's first daily newspaper in 1853. The first Tamil newspaper, Swadesamitran, was launched in 1899.
Chennai has six major print media groups that publish about eight major newspapers and magazines. The major English dailies are The Times of India, The Hindu, The New Indian Express and The Deccan Chronicle evening dailies, The Trinity Mirror and The News Today. As of 2012, The Hindu was the city's most read English newspaper, with a daily circulation of 5.4 lakh copies. The major business dailies published from the city are The Economic Times, The Hindu Business Line, Business Standard, and The Financial Express. The major Tamil dailies include the Dina Thanthi, Dinakaran, Dina Mani, Dina Malar, Tamizh Ossai, Tamil Murasu, Makkal Kural and Malai Malar. Neighbourhood newspapers such as The Annanagar Times and The Adyar Times cater to particular localities. Magazines published from Chennai include Ananda Vikatan, Kumudam, Kalki, Nakkheeran Tamil Investigation Magazine ],Kungumam, Swathi (Telugu magazine), Frontline and Sportstarand thaimman.
Read more about this topic: Media In Chennai
Famous quotes containing the words print and/or media:
“Who should come to my lodge this morning but a true Homeric or Paphlagonian man,—he had so suitable and poetic a name that I am sorry I cannot print it here,—a Canadian, a woodchopper and post-maker, who can hole fifty posts in a day, who made his last supper on a woodchuck which his dog caught.”
—Henry David Thoreau (1817–1862)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)